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Love

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>> [music]

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[music]

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[music]

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[music]

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>> First thing

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0

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[music]

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[music]

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That article appeared in the Daily

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Express, Lord Beaverbrook's newspaper.

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>> Oh, thank you.

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>> Thank you, Miss B.

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>> Thank you.

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The old boy thought the one about

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cabinet minister's wives was going a bit

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far, so I sold it to the Daily Mail

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instead.

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>> Debunking celebrities seems to be your

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ruling passion, Miss Graham.

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>> Well, it sells newspapers, doesn't it?

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>> This one has a kind of broad appeal to

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it. Given a choice in these hard times,

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would a wife take a car or a baby?

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>> A car, of course.

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Stage Door Johnny's by a London chorus

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girl. Don't tell me you were a chorus

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girl, too, Miss Grant.

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>> I couldn't very well have written that

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article if I hadn't been, could I?

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>> I thought you said that you uh I mean

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that you were born.

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>> Oh, well, even a duchess can join the

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chorus if she has the legs. Mr. Wheeler.

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No, I just went in to get background for

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my story. That's all.

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>> Funnily enough, that's where I met Lord

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Donagle.

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>> Who's he?

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my fianceé, the Marquis of Donoval. He

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came to the show one night and without

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even knowing who I was, he sent a note

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round afterwards. As a matter of fact, I

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really felt rather proud of myself. I

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let him take me out to supper and of

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course when he found out who I was, he

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thought the whole thing was a huge joke.

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>> And are you still going to marry Lord

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Donal?

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>> Certainly eventually.

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Uh his mother is the one I can't

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stomach. the old daajger martioness. So

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Don thought perhaps a few months in the

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states sort of cool off a bit, you know,

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and uh when I meet her again, perhaps

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I'll find I don't mind her so much.

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So you see, I do hope you can find

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something worthwhile for me here, Mr.

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Wheeler.

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>> Get me Fred Johnson at the mirror.

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>> Yes, sir.

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You certainly write a good story, Miss

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Graham. Johnson is the managing editor

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of The Mirror. They take a lot of our

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features.

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Fred, is it hot enough for you? Listen,

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I have a girl here, a lady.

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That's what I said.

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>> Who? Sheila Graham.

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>> Yes, John. Yeah.

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No, I've never heard of her.

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>> You will hear of her, Fred. And another

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thing, this girl knows everybody. Friend

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of Lord Beaverbrooks. Everybody under

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the sun. Prince of Wales.

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Certainly she does.

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>> Read all about it. Mrs. Wallace Simpson

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granted divorce paper. Rebel Plains bomb

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Madrid. Read all about it. New feature

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starts today. Rachel Graham's column is

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marriage obsolete.

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>> Sheila, my love, my wife called me and

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said that if I ever mention your name in

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our house again, she's calling a lawyer.

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>> You mean your wife read the story?

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>> Sheila, everyone's wife has read the

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story. I'm having trouble with mine

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convincing her I didn't do the

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>> Here comes John. Be brave now, Sheila.

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And if you need any help,

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>> don't call us.

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>> Woody, Frank,

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>> how are Well, uh, we have to catch a

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train. Merry Christmas.

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>> Merry Christmas, John. Merry Christmas.

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>> Merry Christmas.

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>> Merry Christmas, John.

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>> I trust it will be a merry one.

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>> This is quite a story, Sheila.

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Unfortunately, it is in an opposition

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paper.

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>> Well, I did offer it to the mirror

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first.

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>> Who cheats the most in marriage? I see

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you have the English as odds on

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favorite.

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>> Well, I do know them best. You know,

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>> Germans are too stodgy. Frenchmen make

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no secret of it.

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>> If it were not for the fact that the

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main occupation of American women is

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alimony, Americans would cheat the most.

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>> That's the real reason Johnson fired me.

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He's paying three alimmonies.

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>> Well, I must say you do sell newspapers.

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>> I warned you I would.

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>> Sheila, I have a little Christmas

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present for you.

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a year's contract.

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>> Well, thank you, John,

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but I'm not sure. I've had a letter from

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Donnagor begging me to go back.

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>> I'll terminate the contract the day you

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get married if that's what's bothering

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you.

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>> No.

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>> Meanwhile, I'll raise your salary.

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>> By how much?

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>> Double what you got on the mirror.

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>> Sheila, I want you to do a column. from

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Hollywood.

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>> Hollywood?

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You know, John, I think I might like

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that.

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>> It's a deal.

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>> No, no, no, Jack. That's all wrong.

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Well, you can do as you please, of

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course, but I'm not going to borrow from

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our studio. I'm handling that in my own

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way, personally. All right, Jack. I'll

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talk to you later. See you.

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Well, how are you?

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>> Very well, thank you, Mr. Harris. How

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are you?

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>> Fine. Won't you sit down?

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>> Yes.

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>> I'm glad you could come over.

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>> I'm glad I could get in. [laughter]

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>> I must say, you're a very controversial

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figure this morning.

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>> Harry, if you want me after you've

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talked to New York, I'll be on stage 10.

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>> Oh, bye, Sheila.

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>> Goodbye, Harry. Thank you. It

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>> was a pleasure.

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Will you come over to stage 10 with me,

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Sheila?

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>> Oh, yes. Yes, I'd love to.

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>> I'd like you to watch some scenes we're

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shooting for the picture of the Yis.

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>> Oh, yes. The cow that kicked over the

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lamp that burned Chicago.

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Janet Pierce.

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>> I'm curious, Sheila. What have you got

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against Janet Pierce?

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>> Personally, nothing whatsoever.

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>> And why did you take that unnecessary

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slap at her in your column?

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>> Oh, I merely stated the well-known truth

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that she can't act.

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You know, Sheila, you're in a position

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now where a thing like that in your

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column can do a great deal of harm, even

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to a star as well established as Ganon.

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>> Should I consider that a compliment or a

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spanking?

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>> I'd like you to consider it a uh

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responsibility.

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You're a member of the community now.

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You can afford to be a little

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constructive, too, you know.

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>> All right. I suppose I can. Although I

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think you have an exaggerated idea of

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the power of my column, I understand

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Miss Pierce is sizzling at the box

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office.

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>> Fortunately for the studio,

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that is true.

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>> The Coopers are having a few people over

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after dinner tonight. Why don't you come

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to our house for a bite to eat first and

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we'll drive over together.

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>> I'd love it, but I don't know whether

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the Coopers would love it.

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>> Of course they would. Oh, Ronnie Coleman

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will be coming. You know him, of course.

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>> Yes, slightly.

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>> And Janet Pierce, she'll be going.

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>> Well, you're very kind. I'd love to.

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>> Good.

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They're rehearsing.

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Janet, uh, when you look in the mirror

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and see Dion standing there, pick it up

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a little bit quicker.

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Please, this will be a take.

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>> Camera,

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>> roll a take,

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>> Steve.

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>> Get out of here.

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>> Now, Val, listen to me because I'VE GOT

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TO TALK.

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>> LOOK, LISTEN TO ME, PAL.

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>> NO.

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>> Will you

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>> LISTEN TO ME?

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[screaming] NO. HELP. EDDIE, WILL YOU

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GET OUT? WILL YOU LOOK?

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OKAY.

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>> What's the matter, Janet? The scene was

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going beautifully. Why did you stop?

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>> Sorry, Bill. There's a visitor on this

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set.

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>> Sure. Sheila Graham.

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>> I know who it is. When she leaves, I'll

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be in my dressing room.

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>> Janet. Janet.

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Darling, the dailies this morning were

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wonderful. And you

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you were just great.

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>> Oh, thank you.

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>> I have Sheila Graham here.

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>> Oh, here on the set.

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>> Yeah. Wants to do a story on you. Oh,

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Sheila.

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>> Hello, Miss Pierce. Tell me, Miss

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Graham, how did a girl as pretty as you

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are ever get to be the biggest witch in

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Hollywood? And that word is spelled with

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a capital B.

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>> Janet. Well, Miss Graham,

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not the biggest, Miss Pierce. The second

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biggest.

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>> Oh, Stan, why do you bring these stray

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cats onto the set?

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>> Yeah.

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Heat. Heat.

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[music]

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Not the biggest gem. The second biggest

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I'll only be a minute.

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Shayla.

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>> John.

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Oh, John.

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>> Oh, forgive me. I'm just so happy to see

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you. If

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>> you're any happier, I'd need Waterway.

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>> Oh, I'm sorry, John. I I just needed

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that. I've been feeling sorry for myself

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all day. You're the only one in

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Hollywood feeling sorry for Sheila Gray.

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>> Do sit down, John.

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>> I can't stay. Just dropped in on my way

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to the airport to give you a word of

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warning.

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>> Sheila, darling, if you go on attacking

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people, you're going to get the door

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slammed in your face once and for all,

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and that's no good for columnists.

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>> But John, I write about Hollywood as I

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see it, and if I choose to attack it,

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that's my privilege. I'm a reporter.

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>> I don't mind my columnists being

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controversial. That sells papers. But

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when they're controversial,

274
00:15:45,040 --> 00:15:46,720
controversial, that spells trouble.

275
00:15:46,720 --> 00:15:47,519
>> Well,

276
00:15:47,519 --> 00:15:48,480
>> some of the publishers who've been

277
00:15:48,480 --> 00:15:49,600
running your column are threatened with

278
00:15:49,600 --> 00:15:51,360
the loss of advertising. Now, please let

279
00:15:51,360 --> 00:15:52,079
up a little.

280
00:15:52,079 --> 00:15:54,720
>> Well, all I know is that the sure road

281
00:15:54,720 --> 00:15:56,720
to failure is to try to please everybody

282
00:15:56,720 --> 00:15:58,480
and still write a good column.

283
00:15:58,480 --> 00:16:01,759
>> You know what I mean, Sheila, ease up.

284
00:16:01,759 --> 00:16:03,279
>> Barely time to catch my plane for San

285
00:16:03,279 --> 00:16:03,759
Francisco.

286
00:16:03,759 --> 00:16:05,279
>> Oh, John, must you go now?

287
00:16:05,279 --> 00:16:07,040
>> I'll be back in about 10 days.

288
00:16:07,040 --> 00:16:09,360
>> All right. Now, if you're a good girl

289
00:16:09,360 --> 00:16:11,920
and follow my advice, I may be able to

290
00:16:11,920 --> 00:16:13,199
get [snorts] you a weekly radio

291
00:16:13,199 --> 00:16:16,800
broadcast like Luella has.

292
00:16:16,800 --> 00:16:18,399
>> Now, keep that to yourself.

293
00:16:18,399 --> 00:16:20,800
>> Yes. All right.

294
00:16:20,800 --> 00:16:23,759
>> Goodbye, John.

295
00:16:23,759 --> 00:16:26,759
>> Cut.

296
00:16:27,759 --> 00:16:29,360
>> You know, I knew you were writing this

297
00:16:29,360 --> 00:16:30,880
series of shorts, but I didn't know you

298
00:16:30,880 --> 00:16:31,839
were acting in them.

299
00:16:31,839 --> 00:16:33,680
>> Oh, they needed a note talent actor.

300
00:16:33,680 --> 00:16:35,120
>> Oh, come on.

301
00:16:35,120 --> 00:16:35,600
>> Leave.

302
00:16:35,600 --> 00:16:38,399
>> Yes, on Sunday. Listen, got any choice

303
00:16:38,399 --> 00:16:40,160
tidbits for my column?

304
00:16:40,160 --> 00:16:41,920
>> No, but I'm giving a party tomorrow

305
00:16:41,920 --> 00:16:43,279
night. I want you to come.

306
00:16:43,279 --> 00:16:45,839
>> Oh, Bob, I'd love to, but honestly, I've

307
00:16:45,839 --> 00:16:47,519
been showing Dawn the town for the last

308
00:16:47,519 --> 00:16:49,120
two weeks, and I'm exhausted.

309
00:16:49,120 --> 00:16:51,600
>> Oh, come on. Come on. It's somebody's

310
00:16:51,600 --> 00:16:54,000
birthday. Oh, enough things might happen

311
00:16:54,000 --> 00:16:55,680
to fill your column for a week.

312
00:16:55,680 --> 00:16:57,360
>> We're ready for you, Mr. Carter.

313
00:16:57,360 --> 00:16:59,360
>> Oh, yes. Thank you. Uh, no, please. It's

314
00:16:59,360 --> 00:17:01,600
a fun party. Don't go away.

315
00:17:01,600 --> 00:17:02,399
>> No. All right.

316
00:17:02,399 --> 00:17:05,359
>> Roll at you. Today we're going to take

317
00:17:05,359 --> 00:17:07,359
up the ordinary household problem of

318
00:17:07,359 --> 00:17:09,760
opening a can of sardines. Now of course

319
00:17:09,760 --> 00:17:11,599
the intelligent thing to do is to use a

320
00:17:11,599 --> 00:17:13,919
can opener. But if there's no can opener

321
00:17:13,919 --> 00:17:16,000
available, there are many other kitchen

322
00:17:16,000 --> 00:17:19,039
utensils that will do the job. The ice

323
00:17:19,039 --> 00:17:22,959
pick. Simply drive the ice pick into the

324
00:17:22,959 --> 00:17:26,360
tin of sardines

325
00:17:29,760 --> 00:17:34,840
and use a strong knife.

326
00:17:57,600 --> 00:17:59,919
There you are. Now, not only have you

327
00:17:59,919 --> 00:18:01,919
freed the can of sardines, but you also

328
00:18:01,919 --> 00:18:04,160
have your household hint for today. How

329
00:18:04,160 --> 00:18:06,559
to convert a kitchen table into a flower

330
00:18:06,559 --> 00:18:10,440
garden. Cut.

331
00:18:14,000 --> 00:18:15,679
>> Ladies and gentlemen,

332
00:18:15,679 --> 00:18:19,120
Uh, I want to propose a toast

333
00:18:19,120 --> 00:18:21,722
to Scott,

334
00:18:21,722 --> 00:18:23,742
[applause]

335
00:18:23,919 --> 00:18:25,919
>> one of the greatest novelists in the

336
00:18:25,919 --> 00:18:28,160
English language.

337
00:18:28,160 --> 00:18:30,720
>> And I should know because as a

338
00:18:30,720 --> 00:18:32,400
punishment, I was forced to read him

339
00:18:32,400 --> 00:18:35,760
since I was 6 years old. [laughter]

340
00:18:35,760 --> 00:18:37,520
>> I don't mean this impostor.

341
00:18:37,520 --> 00:18:39,919
>> F Scott Fitzgerald. I mean the real

342
00:18:39,919 --> 00:18:44,047
Scott, Sir Walter Scott. [laughter]

343
00:18:44,240 --> 00:18:47,600
And in paying tribute to Sir Walter, the

344
00:18:47,600 --> 00:18:50,960
creator of Ivanho,

345
00:18:50,960 --> 00:18:53,919
and I don't know why we should. Instead,

346
00:18:53,919 --> 00:18:55,440
ladies and gentlemen, let me propose a

347
00:18:55,440 --> 00:18:58,960
toast to the Westchester Power and Light

348
00:18:58,960 --> 00:19:00,799
Company, who shut off my lights and

349
00:19:00,799 --> 00:19:02,640
forced me to come to Hollywood, where I

350
00:19:02,640 --> 00:19:04,298
can afford to give parties like this.

351
00:19:04,298 --> 00:19:06,318
[laughter]

352
00:19:07,120 --> 00:19:08,640
>> Oh, you lucky girl. You're going to

353
00:19:08,640 --> 00:19:12,200
dance with me.

354
00:19:20,320 --> 00:19:23,559
My name is

355
00:19:32,080 --> 00:19:35,080
Heat. Heat.

356
00:20:24,320 --> 00:20:27,440
Stop it. You're making me blush.

357
00:20:27,440 --> 00:20:28,640
>> Am I?

358
00:20:28,640 --> 00:20:31,640
>> Mhm.

359
00:20:34,559 --> 00:20:37,280
>> Have a lovely sensitive face.

360
00:20:37,280 --> 00:20:38,720
As a columnist, you've got to be as

361
00:20:38,720 --> 00:20:41,280
tough as nails.

362
00:20:41,280 --> 00:20:42,640
And you're going to marry a lord, aren't

363
00:20:42,640 --> 00:20:44,000
you?

364
00:20:44,000 --> 00:20:46,000
>> Yes. Yes.

365
00:20:46,000 --> 00:20:47,679
>> Genuine

366
00:20:47,679 --> 00:20:51,919
coronet robes. Yes, certainly. Wear him

367
00:20:51,919 --> 00:20:55,640
every morning for breakfast.

368
00:20:59,679 --> 00:21:02,000
>> That's what you were really brought up

369
00:21:02,000 --> 00:21:03,760
to do.

370
00:21:03,760 --> 00:21:06,240
>> Absolutely.

371
00:21:06,240 --> 00:21:08,559
>> How do you put all that together?

372
00:21:08,559 --> 00:21:12,080
>> Oh, looks, brains,

373
00:21:12,080 --> 00:21:15,080
influence.

374
00:21:22,320 --> 00:21:25,200
And what is it going to be? A duchess?

375
00:21:25,200 --> 00:21:26,720
A lady?

376
00:21:26,720 --> 00:21:28,159
>> A martian.

377
00:21:28,159 --> 00:21:31,520
>> Well, there you are. You see,

378
00:21:31,520 --> 00:21:34,000
>> you're a jigsaw puzzle.

379
00:21:34,000 --> 00:21:39,080
>> Of course I am. I'm incredible.

380
00:21:45,520 --> 00:21:48,240
What are you looking at now? Surely you

381
00:21:48,240 --> 00:21:52,679
found out everything you want to know.

382
00:21:57,600 --> 00:21:59,039
>> Which is the happy one and which is the

383
00:21:59,039 --> 00:22:00,320
sad one?

384
00:22:00,320 --> 00:22:01,600
>> Sad what?

385
00:22:01,600 --> 00:22:03,520
>> I Everybody has a sad eye and a happy

386
00:22:03,520 --> 00:22:04,159
eye.

387
00:22:04,159 --> 00:22:06,080
>> Oh,

388
00:22:06,080 --> 00:22:10,520
well, which is my sad eye?

389
00:22:12,480 --> 00:22:15,720
this one.

390
00:22:17,600 --> 00:22:19,520
>> Thank you very much.

391
00:22:19,520 --> 00:22:22,159
>> I'll tell you something else about eyes.

392
00:22:22,159 --> 00:22:25,280
A gray eye is a sly eye. A brown eye is

393
00:22:25,280 --> 00:22:30,400
a rogish eye. But a true eye is blue.

394
00:22:30,400 --> 00:22:32,880
>> And yours are true blue.

395
00:22:32,880 --> 00:22:34,880
>> Of that there can be no doubt.

396
00:22:34,880 --> 00:22:36,559
>> And yours are brown. There's no doubt

397
00:22:36,559 --> 00:22:39,440
about that either.

398
00:22:39,440 --> 00:22:42,960
What are you going to do about it?

399
00:22:42,960 --> 00:22:45,200
>> Well, under the circumstances, there's

400
00:22:45,200 --> 00:22:49,400
precious little I can do.

401
00:22:51,520 --> 00:22:54,400
>> Have dinner with me.

402
00:22:54,400 --> 00:22:58,360
>> I don't want to lose you.

403
00:22:59,840 --> 00:23:00,960
>> When?

404
00:23:00,960 --> 00:23:03,960
>> Tomorrow.

405
00:23:12,240 --> 00:23:15,240
Hello.

406
00:23:15,280 --> 00:23:16,720
>> Oh, hello, Scott.

407
00:23:16,720 --> 00:23:18,400
>> I'm terribly sorry about this last

408
00:23:18,400 --> 00:23:21,679
minute thing. I'm still at the studio.

409
00:23:21,679 --> 00:23:23,120
>> Stan Harris wants me to stay here and

410
00:23:23,120 --> 00:23:24,559
have dinner with him. We talk about a

411
00:23:24,559 --> 00:23:26,080
new assignment.

412
00:23:26,080 --> 00:23:27,840
>> Of all times, it would have to be

413
00:23:27,840 --> 00:23:29,520
tonight. I'm afraid that takes care of

414
00:23:29,520 --> 00:23:32,400
the evening for us.

415
00:23:32,400 --> 00:23:35,440
Well, perhaps it needn't.

416
00:23:35,440 --> 00:23:37,360
Look, if if you feel like it, why don't

417
00:23:37,360 --> 00:23:38,960
you come by after you finished? I'll

418
00:23:38,960 --> 00:23:42,280
still be up.

419
00:23:42,720 --> 00:23:45,760
>> I'll be there.

420
00:23:45,760 --> 00:23:48,919
>> All right.

421
00:24:15,200 --> 00:24:16,159
Hello, Sheila.

422
00:24:16,159 --> 00:24:17,679
>> Hello, Scott. Come in.

423
00:24:17,679 --> 00:24:20,840
>> Thank you.

424
00:24:22,559 --> 00:24:24,559
>> Well, how did he go with the studio

425
00:24:24,559 --> 00:24:25,279
today?

426
00:24:25,279 --> 00:24:27,120
>> Oh, I don't really know.

427
00:24:27,120 --> 00:24:28,640
I must say he's got a story that I'd

428
00:24:28,640 --> 00:24:29,679
very much like to do.

429
00:24:29,679 --> 00:24:31,520
>> Well, they ought to be jolly lucky to

430
00:24:31,520 --> 00:24:32,400
get you.

431
00:24:32,400 --> 00:24:35,440
>> Well, thanks for the vote of confidence.

432
00:24:35,440 --> 00:24:37,039
He's not quite so sure about me as a

433
00:24:37,039 --> 00:24:40,039
screenwriter.

434
00:24:42,880 --> 00:24:45,360
>> I like your place. It's sweet.

435
00:24:45,360 --> 00:24:48,080
>> Well, thanks. It's

436
00:24:48,080 --> 00:24:49,360
>> Let me give you a drink.

437
00:24:49,360 --> 00:24:50,159
>> No, thanks.

438
00:24:50,159 --> 00:24:51,200
>> Oh, you sure?

439
00:24:51,200 --> 00:24:54,440
>> I'm sure.

440
00:25:03,760 --> 00:25:05,440
That's you.

441
00:25:05,440 --> 00:25:10,000
>> Yes. At the ripe old age of three.

442
00:25:10,000 --> 00:25:11,600
>> Who's this little devil?

443
00:25:11,600 --> 00:25:15,879
>> Oh, that's my brother, Derek.

444
00:25:19,600 --> 00:25:22,000
>> Must be your father. No, no, that's my

445
00:25:22,000 --> 00:25:24,799
grandfather, Sir Richard. It's a picture

446
00:25:24,799 --> 00:25:26,720
taken of his hunting pink. He He was

447
00:25:26,720 --> 00:25:29,039
master of the Devon Stag Hounds. The old

448
00:25:29,039 --> 00:25:30,720
boy was absolutely insane about the

449
00:25:30,720 --> 00:25:32,400
subject. He rode to Hounds until he was

450
00:25:32,400 --> 00:25:34,080
80, I believe.

451
00:25:34,080 --> 00:25:37,639
>> Well, what do you know?

452
00:25:48,159 --> 00:25:50,159
That was when [music] I was presented at

453
00:25:50,159 --> 00:25:54,000
court. Buckingham Palace, you know.

454
00:25:54,000 --> 00:25:55,360
>> Buckingham Palace.

455
00:25:55,360 --> 00:25:58,000
>> Yes.

456
00:25:58,000 --> 00:25:59,600
>> Well, we have

457
00:25:59,600 --> 00:26:00,799
>> Shall we have a look outside

458
00:26:00,799 --> 00:26:04,200
>> of you? Yes.

459
00:26:05,360 --> 00:26:07,120
>> Um,

460
00:26:07,120 --> 00:26:09,679
now you tell me about you. Are there

461
00:26:09,679 --> 00:26:11,679
masses of Fitzgeralds?

462
00:26:11,679 --> 00:26:13,600
>> No, the Minnesota Fitzgeralds are rather

463
00:26:13,600 --> 00:26:18,120
short supply lately. There's just me.

464
00:26:19,279 --> 00:26:21,520
>> I really took this place just for this

465
00:26:21,520 --> 00:26:24,520
view.

466
00:26:26,240 --> 00:26:29,960
>> And weren't you right?

467
00:26:30,159 --> 00:26:32,880
>> There's not much noise up here when one

468
00:26:32,880 --> 00:26:34,799
sleeps soundly.

469
00:26:34,799 --> 00:26:40,400
I I mean, once one's in bed, [music] one

470
00:26:42,480 --> 00:26:44,080
I don't seem to be able to breathe

471
00:26:44,080 --> 00:26:47,879
properly when I'm with you.

472
00:26:55,200 --> 00:26:57,919
>> You know this is a mistake.

473
00:26:57,919 --> 00:27:01,640
>> Yes. Yes, I do.

474
00:27:11,360 --> 00:27:13,679
Okay, hold it right there.

475
00:27:13,679 --> 00:27:17,240
>> Okay, thank you.

476
00:27:18,240 --> 00:27:20,480
>> He's got a great sense of humor.

477
00:27:20,480 --> 00:27:22,000
>> You and Scott have been friends for a

478
00:27:22,000 --> 00:27:23,440
long time, haven't you?

479
00:27:23,440 --> 00:27:27,360
>> I was the best man at his wedding. Oh, I

480
00:27:27,360 --> 00:27:29,440
I guess I know Scott about as well as he

481
00:27:29,440 --> 00:27:31,279
allows any man to know him.

482
00:27:31,279 --> 00:27:32,880
>> Mhm.

483
00:27:32,880 --> 00:27:34,880
He doesn't volunteer much about himself,

484
00:27:34,880 --> 00:27:35,440
does he?

485
00:27:35,440 --> 00:27:38,159
>> No, not much.

486
00:27:38,159 --> 00:27:39,520
>> What's his wife like?

487
00:27:39,520 --> 00:27:41,360
>> Zelda.

488
00:27:41,360 --> 00:27:45,360
>> She was young and and beautiful.

489
00:27:45,360 --> 00:27:47,200
No party was complete without the

490
00:27:47,200 --> 00:27:49,600
glamorous Fitzgerald. Zelda danced on

491
00:27:49,600 --> 00:27:51,440
the tables.

492
00:27:51,440 --> 00:27:53,679
You know, they both dove fully dressed

493
00:27:53,679 --> 00:27:55,279
into that fountain in front of the hotel

494
00:27:55,279 --> 00:27:57,039
plaza.

495
00:27:57,039 --> 00:27:59,200
Oh,

496
00:27:59,200 --> 00:28:00,799
>> where is she now?

497
00:28:00,799 --> 00:28:03,600
Asheville, North Carolina.

498
00:28:03,600 --> 00:28:04,880
>> Are they divorced?

499
00:28:04,880 --> 00:28:07,279
>> No.

500
00:28:07,279 --> 00:28:09,760
>> Zelda's in a sanitarium

501
00:28:09,760 --> 00:28:13,158
for the insane.

502
00:28:13,679 --> 00:28:16,720
>> They have a daughter. She was about 13

503
00:28:16,720 --> 00:28:18,880
when Zelda cracked up and Scott put her

504
00:28:18,880 --> 00:28:20,640
in school.

505
00:28:20,640 --> 00:28:22,240
He had specialists coming in from all

506
00:28:22,240 --> 00:28:26,080
over the country try to help Zelda.

507
00:28:26,080 --> 00:28:28,399
He ran out of money and went on an epic

508
00:28:28,399 --> 00:28:30,559
drunk.

509
00:28:30,559 --> 00:28:35,039
Now the irony, this whole situation.

510
00:28:35,039 --> 00:28:37,360
Here's Scott, one of the most

511
00:28:37,360 --> 00:28:39,760
distinguished novelists in America,

512
00:28:39,760 --> 00:28:41,440
working in Hollywood, taking on any

513
00:28:41,440 --> 00:28:44,640
assignment he can get, struggling to

514
00:28:44,640 --> 00:28:46,159
make enough money to pay the medical

515
00:28:46,159 --> 00:28:49,360
bills and keep his daughter in school.

516
00:28:49,360 --> 00:28:52,494
>> What you care to order now?

517
00:28:52,494 --> 00:28:52,960
[sighs]

518
00:28:52,960 --> 00:28:57,200
>> Who you want? Oh. Um. Oh, I I don't mind

519
00:28:57,200 --> 00:29:01,159
a fruit salad or something.

520
00:29:08,080 --> 00:29:10,480
>> Greetings, friends. I got your message

521
00:29:10,480 --> 00:29:12,159
about lunch. I was tied up with Stan

522
00:29:12,159 --> 00:29:12,720
Harris.

523
00:29:12,720 --> 00:29:14,240
>> Thanks for not making it. I had her all

524
00:29:14,240 --> 00:29:16,559
to myself. I'll see you back at the flea

525
00:29:16,559 --> 00:29:19,520
bag. Huh?

526
00:29:19,520 --> 00:29:20,399
>> Have you had lunch?

527
00:29:20,399 --> 00:29:21,279
>> No, not yet.

528
00:29:21,279 --> 00:29:23,360
>> Oh, I'm due over at MGM. I'm

529
00:29:23,360 --> 00:29:24,640
interviewing Gable.

530
00:29:24,640 --> 00:29:29,880
>> Oh, well, I'll see you to your car.

531
00:29:32,159 --> 00:29:34,640
>> Any news?

532
00:29:34,640 --> 00:29:36,720
>> I got the assignment.

533
00:29:36,720 --> 00:29:38,345
>> Oh, darling, that's wonderful. I

534
00:29:38,345 --> 00:29:39,919
[laughter] knew you would.

535
00:29:39,919 --> 00:29:41,679
>> The fantastic part of it is it's a story

536
00:29:41,679 --> 00:29:43,679
I've been in love with for years. I've

537
00:29:43,679 --> 00:29:45,360
finally got a screenplay to work on that

538
00:29:45,360 --> 00:29:47,760
I think can really turn out. And you

539
00:29:47,760 --> 00:29:49,200
know what else is in it for little old

540
00:29:49,200 --> 00:29:51,840
Fitz? What's it? Money.

541
00:29:51,840 --> 00:29:55,679
Plenty money. Nothing but money.

542
00:29:55,679 --> 00:29:58,000
>> Oh, Scott, it sounds so exciting. When

543
00:29:58,000 --> 00:29:58,799
do you start?

544
00:29:58,799 --> 00:30:00,399
>> Bright and early Monday morning. What do

545
00:30:00,399 --> 00:30:01,679
you say we celebrate? Let's go somewhere

546
00:30:01,679 --> 00:30:02,799
for the weekend.

547
00:30:02,799 --> 00:30:05,120
>> Oh, that's a lovely idea. Isn't there

548
00:30:05,120 --> 00:30:07,279
some desert out there somewhere? Some

549
00:30:07,279 --> 00:30:09,840
mountains or Mexico or something or

550
00:30:09,840 --> 00:30:10,080
other?

551
00:30:10,080 --> 00:30:13,720
>> Got yourself a date?

552
00:30:29,520 --> 00:30:32,520
Yes.

553
00:30:45,440 --> 00:30:48,440
H.

554
00:30:52,480 --> 00:30:56,360
Oh, look at them.

555
00:30:58,159 --> 00:31:01,480
>> Hey, Muchachos.

556
00:31:09,760 --> 00:31:12,240
Oh,

557
00:31:12,240 --> 00:31:17,480
come on. [laughter] Come on. Come on.

558
00:31:25,360 --> 00:31:27,760
They say an author reveals himself

559
00:31:27,760 --> 00:31:30,880
subconsciously in his writings. Do you,

560
00:31:30,880 --> 00:31:31,919
Scott?

561
00:31:31,919 --> 00:31:35,120
>> I suppose I do.

562
00:31:35,120 --> 00:31:38,640
I know so little about you really.

563
00:31:38,640 --> 00:31:40,960
>> Do you know I have never read a single

564
00:31:40,960 --> 00:31:42,640
thing you've written?

565
00:31:42,640 --> 00:31:44,159
>> And you've been presented at Buckingham

566
00:31:44,159 --> 00:31:45,919
Palace,

567
00:31:45,919 --> 00:31:48,799
the king and queen of England with such

568
00:31:48,799 --> 00:31:51,279
a gap in your education.

569
00:31:51,279 --> 00:31:52,880
We'll have to take care of that right

570
00:31:52,880 --> 00:31:55,880
away.

571
00:32:09,440 --> 00:32:10,159
Hello.

572
00:32:10,159 --> 00:32:10,880
>> Can I help you?

573
00:32:10,880 --> 00:32:12,399
>> Yes. Do you have any of the novels of

574
00:32:12,399 --> 00:32:14,080
Fcott Fitzgerald?

575
00:32:14,080 --> 00:32:15,840
>> Oh, I'm sorry. Nothing in stock, but I

576
00:32:15,840 --> 00:32:18,240
can try to get them for you.

577
00:32:18,240 --> 00:32:19,279
>> Oh,

578
00:32:19,279 --> 00:32:21,120
>> do you have any calls for them?

579
00:32:21,120 --> 00:32:23,600
>> Uh, once in a while. Not for some time,

580
00:32:23,600 --> 00:32:25,120
though.

581
00:32:25,120 --> 00:32:27,840
Novels. Who reads good novels today?

582
00:32:27,840 --> 00:32:30,960
Well, now all it is is politics, yogi,

583
00:32:30,960 --> 00:32:33,279
cookbooks. Well, I've got a beautiful

584
00:32:33,279 --> 00:32:35,200
set of balsac out back that the mice are

585
00:32:35,200 --> 00:32:37,760
enjoying. Do you like Fitzgerald?

586
00:32:37,760 --> 00:32:39,840
>> Oh, yes. I'm a great admire of Mr.

587
00:32:39,840 --> 00:32:40,799
Fitzgerald.

588
00:32:40,799 --> 00:32:43,360
>> A good novelist, in your opinion.

589
00:32:43,360 --> 00:32:45,120
>> Oh, yes, in my opinion.

590
00:32:45,120 --> 00:32:47,919
>> Oh, mine, too. Which ones were you

591
00:32:47,919 --> 00:32:48,799
interested in?

592
00:32:48,799 --> 00:32:51,440
>> The Great Gatsby. This Side of Paradise.

593
00:32:51,440 --> 00:32:53,840
Tender as the night. Well, uh, if

594
00:32:53,840 --> 00:32:55,760
there's none about, I can order him from

595
00:32:55,760 --> 00:32:57,039
the publisher for you if you'll give me

596
00:32:57,039 --> 00:32:59,760
your name and address.

597
00:32:59,760 --> 00:33:02,960
>> F. Scott Fitzgerald, The Garden of Anna.

598
00:33:02,960 --> 00:33:06,240
>> My oh my. So it is, Mr. Fitzgerald, I

599
00:33:06,240 --> 00:33:07,760
should have recognized you. This is an

600
00:33:07,760 --> 00:33:09,440
honor. A real honor for me. Oh,

601
00:33:09,440 --> 00:33:10,640
>> thank you very much.

602
00:33:10,640 --> 00:33:12,320
>> Uh, how how many years since your last

603
00:33:12,320 --> 00:33:12,799
novel?

604
00:33:12,799 --> 00:33:14,320
>> Uh, five, six.

605
00:33:14,320 --> 00:33:15,519
>> It's about right.

606
00:33:15,519 --> 00:33:17,279
>> Well, now you must give us more. Many,

607
00:33:17,279 --> 00:33:19,200
many more. Even though the public's a

608
00:33:19,200 --> 00:33:20,559
little slow in buying you right now,

609
00:33:20,559 --> 00:33:22,720
they'll wake up. Then I'll come back to

610
00:33:22,720 --> 00:33:24,480
you. I've seen it happen over and over

611
00:33:24,480 --> 00:33:24,880
again.

612
00:33:24,880 --> 00:33:26,080
>> Well, thank you very much.

613
00:33:26,080 --> 00:33:26,720
>> Goodbye.

614
00:33:26,720 --> 00:33:29,720
>> Goodbye.

615
00:33:47,679 --> 00:33:50,960
Come in Sheilo.

616
00:33:50,960 --> 00:33:51,919
Hello, darling.

617
00:33:51,919 --> 00:33:54,000
>> Hello, Poncho.

618
00:33:54,000 --> 00:33:55,200
>> I'm just finishing up a thing here.

619
00:33:55,200 --> 00:33:57,919
It'll take me one minute.

620
00:33:57,919 --> 00:34:02,080
>> Mhm. Nice. 16 pages of screenplay in one

621
00:34:02,080 --> 00:34:04,640
day. I am very impressed.

622
00:34:04,640 --> 00:34:06,399
>> It's going all right. Not too bad. Not

623
00:34:06,399 --> 00:34:09,558
too bad.

624
00:34:11,839 --> 00:34:14,800
>> You look more attractive every day.

625
00:34:14,800 --> 00:34:18,599
>> Today you look like tomorrow.

626
00:34:19,040 --> 00:34:20,320
Have you got any plans for us for

627
00:34:20,320 --> 00:34:21,040
tonight?

628
00:34:21,040 --> 00:34:23,440
>> Yes, the same as last night to be with

629
00:34:23,440 --> 00:34:25,040
you.

630
00:34:25,040 --> 00:34:27,040
>> There is one thing I want to show you

631
00:34:27,040 --> 00:34:28,800
here in the drama section. Ed

632
00:34:28,800 --> 00:34:30,719
Charlotte's column. They're putting on a

633
00:34:30,719 --> 00:34:33,119
play tonight at the Pasadena Playhouse,

634
00:34:33,119 --> 00:34:34,560
and it's from a short story I wrote

635
00:34:34,560 --> 00:34:36,639
years ago, Diamond as Big as the Rits.

636
00:34:36,639 --> 00:34:38,719
>> Darling, how marvelous. Let's go.

637
00:34:38,719 --> 00:34:39,599
>> Would you like to?

638
00:34:39,599 --> 00:34:41,440
>> Well, of course I'd love to.

639
00:34:41,440 --> 00:34:42,879
>> Well, I I've never read the thing. I

640
00:34:42,879 --> 00:34:43,760
mean, it might not amount to

641
00:34:43,760 --> 00:34:45,119
>> Oh, now, darling, don't be silly. The

642
00:34:45,119 --> 00:34:46,800
Playhouse puts on wonderful things. It

643
00:34:46,800 --> 00:34:48,399
might even go to Broadway. Old Scott,

644
00:34:48,399 --> 00:34:50,560
let's go.

645
00:34:50,560 --> 00:34:51,918
>> We'll do it upright.

646
00:34:51,918 --> 00:34:53,918
>> You wear that beaded evening gown.

647
00:34:53,918 --> 00:34:54,399
>> Yes. All right.

648
00:34:54,399 --> 00:34:55,760
>> I wear black tie,

649
00:34:55,760 --> 00:34:57,119
>> dinner at the truck,

650
00:34:57,119 --> 00:34:57,680
>> of course.

651
00:34:57,680 --> 00:34:59,440
>> And we'll hire a chauffeerdriven

652
00:34:59,440 --> 00:35:00,240
Rolls-Royce.

653
00:35:00,240 --> 00:35:01,680
>> As big as the Ritz.

654
00:35:01,680 --> 00:35:04,680
>> Bigger.

655
00:35:15,359 --> 00:35:19,400
Could I have the date wrong?

656
00:35:28,240 --> 00:35:30,000
>> It doesn't look much like an opening

657
00:35:30,000 --> 00:35:33,000
night.

658
00:35:34,320 --> 00:35:37,440
>> It does look rather dark.

659
00:35:37,440 --> 00:35:40,720
>> Oh, look. Here's someone. Let's ask.

660
00:35:40,720 --> 00:35:42,400
>> Boy, oh boy. Would you like to have

661
00:35:42,400 --> 00:35:45,400
that?

662
00:35:47,200 --> 00:35:48,079
Oh, young man.

663
00:35:48,079 --> 00:35:51,119
>> Yes, sir.

664
00:35:51,119 --> 00:35:53,040
>> Is there a performance here tonight of a

665
00:35:53,040 --> 00:35:54,400
diamond as big as the rits?

666
00:35:54,400 --> 00:35:56,800
>> Oh, yes, sir. We're putting it on the

667
00:35:56,800 --> 00:35:59,599
students. You know, for the students

668
00:35:59,599 --> 00:36:03,119
>> upstairs in the band box.

669
00:36:03,119 --> 00:36:05,760
>> Oh, I see. I guess you could go up if

670
00:36:05,760 --> 00:36:08,720
you like. I'm sure no one would mind.

671
00:36:08,720 --> 00:36:10,480
It's a lovely play.

672
00:36:10,480 --> 00:36:12,480
>> Is it?

673
00:36:12,480 --> 00:36:13,440
What part do you play?

674
00:36:13,440 --> 00:36:14,960
>> Kisman.

675
00:36:14,960 --> 00:36:16,960
>> Oh, that's nice.

676
00:36:16,960 --> 00:36:19,359
Who Who plays your sister Jasmine?

677
00:36:19,359 --> 00:36:21,680
>> Oh, you know the play.

678
00:36:21,680 --> 00:36:24,640
>> Well, yes. I I happen to be the author.

679
00:36:24,640 --> 00:36:28,560
>> The author? F. Scott Fitzgerald.

680
00:36:28,560 --> 00:36:31,040
But I thought I'm very pleased to meet

681
00:36:31,040 --> 00:36:32,800
you, Mr. Fitzgerald.

682
00:36:32,800 --> 00:36:35,359
>> Pleased to meet you, Mr. Fitzgerald.

683
00:36:35,359 --> 00:36:37,280
>> Come on, Billy.

684
00:36:37,280 --> 00:36:41,800
Really? I'm sure it would be all right.

685
00:36:43,200 --> 00:36:45,520
Scott Fitzgerald for crying out loud.

686
00:36:45,520 --> 00:36:46,720
Was I surprised?

687
00:36:46,720 --> 00:36:48,960
>> I'm glad I caught myself in time. I

688
00:36:48,960 --> 00:36:52,520
thought he was dead.

689
00:36:54,720 --> 00:36:57,599
>> Come on, Scott.

690
00:36:57,599 --> 00:37:00,599
Scott.

691
00:37:06,800 --> 00:37:11,119
Oh, God. The water is wonderful. Why did

692
00:37:11,119 --> 00:37:14,240
you come in?

693
00:37:14,240 --> 00:37:18,040
>> I'm a land animal.

694
00:37:21,440 --> 00:37:23,280
>> You look very special.

695
00:37:23,280 --> 00:37:27,240
>> Oh, that's the ocean, darling.

696
00:37:31,680 --> 00:37:33,200
>> How many times have you been in love,

697
00:37:33,200 --> 00:37:34,480
Sheila?

698
00:37:34,480 --> 00:37:37,760
>> Oh, darling. I can't remember in this

699
00:37:37,760 --> 00:37:40,760
heat.

700
00:37:42,800 --> 00:37:44,560
>> Why?

701
00:37:44,560 --> 00:37:46,480
>> Curiosity.

702
00:37:46,480 --> 00:37:49,280
>> Well, let's see now.

703
00:37:49,280 --> 00:37:52,800
Well, there was a title gentleman and he

704
00:37:52,800 --> 00:37:56,151
sent me roses. There was a a captain

705
00:37:56,151 --> 00:37:58,240
[music] of industry.

706
00:37:58,240 --> 00:38:01,119
He invested my money. And there was a

707
00:38:01,119 --> 00:38:05,880
sailor and he took me boating.

708
00:38:09,680 --> 00:38:11,359
You angry, Scott?

709
00:38:11,359 --> 00:38:15,799
>> Don't stop now. You're up to the sailor.

710
00:38:16,079 --> 00:38:18,880
>> Well, I I was just joking.

711
00:38:18,880 --> 00:38:22,280
>> Well, go on.

712
00:38:22,960 --> 00:38:26,320
>> Well, darling, it was all so many years

713
00:38:26,320 --> 00:38:29,359
ago, and I was just a silly girl. And

714
00:38:29,359 --> 00:38:31,280
you know me. You know how I exaggerate.

715
00:38:31,280 --> 00:38:35,440
I exaggerate. I I actually lie now and

716
00:38:35,440 --> 00:38:38,400
then. I I just wanted to see how you'd

717
00:38:38,400 --> 00:38:39,040
react.

718
00:38:39,040 --> 00:38:41,280
>> It's all right. I've been to college. I

719
00:38:41,280 --> 00:38:45,480
can stand a few small truths.

720
00:38:45,920 --> 00:38:49,440
>> Oh, come on, Scott. Be nice.

721
00:38:49,440 --> 00:38:51,200
>> All right.

722
00:38:51,200 --> 00:38:53,680
Nice.

723
00:38:53,680 --> 00:38:54,960
What kind of a girl were you when you

724
00:38:54,960 --> 00:38:58,240
were growing up? I mean, before

725
00:38:58,240 --> 00:39:01,520
the sailor took you boating.

726
00:39:01,520 --> 00:39:04,079
Scott.

727
00:39:04,079 --> 00:39:07,040
>> Glenn.

728
00:39:07,040 --> 00:39:09,760
What kind of a name is that?

729
00:39:09,760 --> 00:39:13,680
Is it a Scotch name? German?

730
00:39:13,680 --> 00:39:15,359
>> I don't know.

731
00:39:15,359 --> 00:39:18,400
>> Your father? What was he in business?

732
00:39:18,400 --> 00:39:21,040
And your mother? What kind of a woman

733
00:39:21,040 --> 00:39:23,599
was she?

734
00:39:23,599 --> 00:39:25,280
>> She died when you were 17. That's what

735
00:39:25,280 --> 00:39:27,040
you said, isn't it?

736
00:39:27,040 --> 00:39:28,079
>> Yes.

737
00:39:28,079 --> 00:39:29,359
>> London.

738
00:39:29,359 --> 00:39:31,839
>> Yes. What part of London?

739
00:39:31,839 --> 00:39:35,320
>> The West End.

740
00:39:40,320 --> 00:39:41,839
>> Oh,

741
00:39:41,839 --> 00:39:45,359
were you were you a

742
00:39:45,359 --> 00:39:48,240
you a little little girl or a a big

743
00:39:48,240 --> 00:39:51,479
little girl?

744
00:39:51,680 --> 00:39:53,440
>> Did you wear pigtails with ribbons on

745
00:39:53,440 --> 00:39:56,160
them? Did you go to nice schools? What

746
00:39:56,160 --> 00:39:56,960
sort of schools?

747
00:39:56,960 --> 00:39:58,720
>> Stop it. Stop it,

748
00:39:58,720 --> 00:40:01,200
>> Shilo.

749
00:40:01,200 --> 00:40:03,760
Sheilo, I'm sorry. There's something

750
00:40:03,760 --> 00:40:06,079
that you don't want to tell me and don't

751
00:40:06,079 --> 00:40:09,200
tell. I'm sorry. I'm sorry.

752
00:40:09,200 --> 00:40:10,720
>> Why don't you leave me alone? Why do you

753
00:40:10,720 --> 00:40:12,079
keep questioning me,

754
00:40:12,079 --> 00:40:14,880
>> Sheilo? Because I love you because I

755
00:40:14,880 --> 00:40:19,119
want to know everything about you.

756
00:40:19,119 --> 00:40:22,680
>> Oh, God.

757
00:40:23,280 --> 00:40:28,160
>> I cannot I cannot go online to you.

758
00:40:28,160 --> 00:40:31,480
Not anymore.

759
00:40:32,560 --> 00:40:35,920
I was brought up in an orphanage. I was

760
00:40:35,920 --> 00:40:38,320
born in a slum.

761
00:40:38,320 --> 00:40:41,040
When I was 17, I went to work as a

762
00:40:41,040 --> 00:40:43,359
kitchen maid.

763
00:40:43,359 --> 00:40:46,880
It's all made up. The beautiful rich

764
00:40:46,880 --> 00:40:51,119
mother is so rigid in his big coat. And

765
00:40:51,119 --> 00:40:54,000
even the pictures, they're all fake.

766
00:40:54,000 --> 00:40:57,520
Even my name. It isn't Scotch. It isn't

767
00:40:57,520 --> 00:41:00,880
German. It's just common. Lily Sheil.

768
00:41:00,880 --> 00:41:03,119
That's my name. Lily Sheil.

769
00:41:03,119 --> 00:41:05,839
>> Sheila. Sheila. Why on earth? What

770
00:41:05,839 --> 00:41:06,960
difference does it?

771
00:41:06,960 --> 00:41:09,378
>> Because I didn't want to be drab.

772
00:41:09,378 --> 00:41:09,920
[laughter]

773
00:41:09,920 --> 00:41:12,160
Because I was afraid.

774
00:41:12,160 --> 00:41:15,920
>> Sheila. That's enough. That's enough.

775
00:41:15,920 --> 00:41:17,359
Lots of people don't like their lives,

776
00:41:17,359 --> 00:41:18,800
so they make up lives that they like

777
00:41:18,800 --> 00:41:21,680
better. That's all you did. And all of

778
00:41:21,680 --> 00:41:24,319
it. Every bit of it. Everything that you

779
00:41:24,319 --> 00:41:26,560
were and everything that you are makes

780
00:41:26,560 --> 00:41:28,240
you that much dearer to me.

781
00:41:28,240 --> 00:41:31,040
>> Oh, but Scott, I couldn't go through

782
00:41:31,040 --> 00:41:34,079
life in Lily [crying] Shield.

783
00:41:34,079 --> 00:41:37,680
You You asked me if I wore pigtails.

784
00:41:37,680 --> 00:41:41,200
Big tails. Our heads were shorn. They

785
00:41:41,200 --> 00:41:44,319
were sh to the bone. And I was so ugly.

786
00:41:44,319 --> 00:41:47,040
And I didn't want to be. I wanted to be

787
00:41:47,040 --> 00:41:49,200
beautiful and clever. are.

788
00:41:49,200 --> 00:41:52,000
>> I want to be accepted and to be loved

789
00:41:52,000 --> 00:41:53,440
and to be saved.

790
00:41:53,440 --> 00:41:55,280
>> You are, Sheilo. [crying]

791
00:41:55,280 --> 00:41:58,504
>> All those things you are.

792
00:41:58,504 --> 00:42:00,480
[laughter]

793
00:42:00,480 --> 00:42:03,359
>> I wish I'd known you then. I would have

794
00:42:03,359 --> 00:42:05,599
taken care of you. You could have come

795
00:42:05,599 --> 00:42:06,160
to me.

796
00:42:06,160 --> 00:42:08,640
>> Yes. Where were you then? There was no

797
00:42:08,640 --> 00:42:13,280
one to tell me right from wrong. No one.

798
00:42:13,280 --> 00:42:15,599
>> Stop crying, Sheilo.

799
00:42:15,599 --> 00:42:18,000
I love you very much.

800
00:42:18,000 --> 00:42:21,520
I love you as you are.

801
00:42:21,520 --> 00:42:24,704
As you are.

802
00:42:24,704 --> 00:42:26,724
[music]

803
00:42:30,599 --> 00:42:32,619
[music]

804
00:42:35,839 --> 00:42:37,859
>> [music]

805
00:42:54,319 --> 00:42:56,640
>> My days only begin when you come into

806
00:42:56,640 --> 00:42:59,920
this house. And I'm jealous of every

807
00:42:59,920 --> 00:43:03,119
second spent with anybody else.

808
00:43:03,119 --> 00:43:06,000
It's fine with me.

809
00:43:06,000 --> 00:43:08,560
Let's be hermits together.

810
00:43:08,560 --> 00:43:10,079
We won't go out again till New Year's

811
00:43:10,079 --> 00:43:13,079
Eve.

812
00:43:15,839 --> 00:43:19,400
Not even then.

813
00:43:28,240 --> 00:43:30,560
You know, I felt so lost this evening at

814
00:43:30,560 --> 00:43:33,440
dinner when you and Stan and Bob and

815
00:43:33,440 --> 00:43:35,599
everybody were all discussing the

816
00:43:35,599 --> 00:43:39,040
30-year war. I'm English and you're

817
00:43:39,040 --> 00:43:41,280
discussing English history and I can't

818
00:43:41,280 --> 00:43:43,520
even join in.

819
00:43:43,520 --> 00:43:45,040
You know, I never even went past

820
00:43:45,040 --> 00:43:47,839
elementary school, and I'm hideously

821
00:43:47,839 --> 00:43:50,800
aware of the fact my column isn't even

822
00:43:50,800 --> 00:43:53,440
in grammatical. I'm beginning to hate

823
00:43:53,440 --> 00:43:54,880
the whole thing.

824
00:43:54,880 --> 00:43:56,880
>> Every self-respecting writer feels that

825
00:43:56,880 --> 00:44:01,119
way about his work sometime or other.

826
00:44:01,119 --> 00:44:03,520
>> I've been working for two weeks on the

827
00:44:03,520 --> 00:44:06,319
copy of my first radio broadcast.

828
00:44:06,319 --> 00:44:08,640
I've got to send it to John Wheeler in

829
00:44:08,640 --> 00:44:10,640
New York. And I don't know, every time I

830
00:44:10,640 --> 00:44:12,480
rewrite it, it seems more rubbishy than

831
00:44:12,480 --> 00:44:13,839
the last.

832
00:44:13,839 --> 00:44:16,960
>> Let's have a look at it.

833
00:44:16,960 --> 00:44:18,560
>> Would you, darling?

834
00:44:18,560 --> 00:44:19,680
>> Sure.

835
00:44:19,680 --> 00:44:22,919
>> Are you

836
00:44:36,400 --> 00:44:37,920
You don't mind if I reward it here and

837
00:44:37,920 --> 00:44:38,319
there?

838
00:44:38,319 --> 00:44:42,440
>> No. No, of course not.

839
00:44:42,640 --> 00:44:46,040
>> Put the magazine.

840
00:44:51,280 --> 00:44:52,640
>> Just for instance, huh?

841
00:44:52,640 --> 00:44:55,640
>> Mhm.

842
00:45:03,520 --> 00:45:06,560
>> That's funny.

843
00:45:07,040 --> 00:45:09,440
That's good.

844
00:45:09,440 --> 00:45:10,720
Don't you think it'll be a bit over

845
00:45:10,720 --> 00:45:13,959
their heads?

846
00:45:14,000 --> 00:45:16,480
>> Don't you believe it, Sheila? You give

847
00:45:16,480 --> 00:45:18,079
them your best. They'll love you for it.

848
00:45:18,079 --> 00:45:19,760
Little gossip is all right, but mix it

849
00:45:19,760 --> 00:45:23,119
up. Toss in an idea once in a while.

850
00:45:23,119 --> 00:45:24,560
I'll be afraid to make people use their

851
00:45:24,560 --> 00:45:25,440
minds.

852
00:45:25,440 --> 00:45:28,480
>> Oh, I wish I could learn to use mine. It

853
00:45:28,480 --> 00:45:31,040
hasn't been exposed to a serious idea or

854
00:45:31,040 --> 00:45:34,759
book in its life.

855
00:45:37,040 --> 00:45:39,760
How would you like it if I were to make

856
00:45:39,760 --> 00:45:42,319
out a sort of a reading list? We could

857
00:45:42,319 --> 00:45:43,440
go through some of the really good

858
00:45:43,440 --> 00:45:44,960
books.

859
00:45:44,960 --> 00:45:46,960
Literature, politics, modern and ancient

860
00:45:46,960 --> 00:45:47,520
history.

861
00:45:47,520 --> 00:45:48,640
>> Mhm.

862
00:45:48,640 --> 00:45:50,079
>> You can make notes on what you read and

863
00:45:50,079 --> 00:45:52,079
we we can discuss them together.

864
00:45:52,079 --> 00:45:53,839
>> Oh, could we, darling? I would love

865
00:45:53,839 --> 00:45:54,319
that.

866
00:45:54,319 --> 00:45:59,119
>> Of course we could. Do me good, too.

867
00:45:59,119 --> 00:46:01,040
Beauty of literature is that it's

868
00:46:01,040 --> 00:46:04,000
ageless. You discover that your

869
00:46:04,000 --> 00:46:06,480
longings are universal longings. That

870
00:46:06,480 --> 00:46:08,560
you're not lonely and isolated from

871
00:46:08,560 --> 00:46:12,720
anyone. You belong.

872
00:46:12,720 --> 00:46:17,040
>> Oh, I do so want you to be proud of me.

873
00:46:17,040 --> 00:46:19,839
You know, up up until now, I've always

874
00:46:19,839 --> 00:46:22,000
felt the only thing that I had to be was

875
00:46:22,000 --> 00:46:25,200
beautiful or pretty.

876
00:46:25,200 --> 00:46:27,680
That people would accept me for no other

877
00:46:27,680 --> 00:46:30,319
reason. And there's always been that

878
00:46:30,319 --> 00:46:35,040
fear of being discarded when I grew old.

879
00:46:35,040 --> 00:46:36,720
>> Beautiful young people are accidents of

880
00:46:36,720 --> 00:46:38,640
nature, Sheilo.

881
00:46:38,640 --> 00:46:44,000
Beautiful old people create themselves.

882
00:46:44,000 --> 00:46:45,680
One of the most attractive women I've

883
00:46:45,680 --> 00:46:49,119
ever met was a bell of 80 Winters.

884
00:46:49,119 --> 00:46:51,280
>> Oh, heavens. And the sooner I start my

885
00:46:51,280 --> 00:46:53,119
lessons, the better. [laughter]

886
00:46:53,119 --> 00:46:54,880
>> All right. What do you say we start on

887
00:46:54,880 --> 00:46:56,640
some English literature? a uh good

888
00:46:56,640 --> 00:46:58,880
rousing play by Shakespeare.

889
00:46:58,880 --> 00:47:00,480
>> Well, for the first night, could the

890
00:47:00,480 --> 00:47:02,319
pupil make the choice?

891
00:47:02,319 --> 00:47:05,200
>> And what you got in mind?

892
00:47:05,200 --> 00:47:08,800
>> Well, current literature

893
00:47:08,800 --> 00:47:11,200
with special reference to a passage from

894
00:47:11,200 --> 00:47:13,680
Tender is the night by my favorite

895
00:47:13,680 --> 00:47:16,160
author, F. Scott Fitzgerald.

896
00:47:16,160 --> 00:47:18,880
>> Oh, I'd hardly call him current, but

897
00:47:18,880 --> 00:47:21,680
nevertheless, my loyal little public

898
00:47:21,680 --> 00:47:24,000
proceed.

899
00:47:24,000 --> 00:47:26,960
Nicole smiled at him, making sure that

900
00:47:26,960 --> 00:47:29,119
the smile gathered up everything inside

901
00:47:29,119 --> 00:47:31,520
her, and directed it toward him, making

902
00:47:31,520 --> 00:47:33,920
him a profound promise of herself for so

903
00:47:33,920 --> 00:47:37,280
little, for the beat of a response.

904
00:47:37,280 --> 00:47:40,079
Minute by minute, the sweetness drained

905
00:47:40,079 --> 00:47:43,119
down into her out of the willow trees.

906
00:47:43,119 --> 00:47:44,560
>> Sounds even better now than when I wrote

907
00:47:44,560 --> 00:47:44,960
it.

908
00:47:44,960 --> 00:47:46,480
>> It's those damn willow trees. They'll do

909
00:47:46,480 --> 00:47:49,359
it to you every time. Oh, I suppose

910
00:47:49,359 --> 00:47:51,359
women from 8 to 80 have been throwing

911
00:47:51,359 --> 00:47:53,520
themselves at you as long as you can

912
00:47:53,520 --> 00:47:55,040
remember.

913
00:47:55,040 --> 00:47:57,680
>> Well, you little witch. I suppose you

914
00:47:57,680 --> 00:47:59,119
think a writer has to experience

915
00:47:59,119 --> 00:48:01,119
everything he writes about. I sweated

916
00:48:01,119 --> 00:48:03,200
blood getting that on paper. All you get

917
00:48:03,200 --> 00:48:03,839
out of it is

918
00:48:03,839 --> 00:48:06,240
>> Listen, listen. She stood up and

919
00:48:06,240 --> 00:48:08,880
stumbling over the phonograph was

920
00:48:08,880 --> 00:48:12,160
momentarily against him,

921
00:48:12,160 --> 00:48:15,119
leaning into the hollow of his rounded

922
00:48:15,119 --> 00:48:16,640
shoulder. Why don't you lay off

923
00:48:16,640 --> 00:48:17,920
Fitzgerald and get started on

924
00:48:17,920 --> 00:48:18,720
Shakespeare? Oh,

925
00:48:18,720 --> 00:48:20,720
>> I'll take a living author any day.

926
00:48:20,720 --> 00:48:22,559
>> I knew it. A little knowledge is a

927
00:48:22,559 --> 00:48:23,680
dangerous thing.

928
00:48:23,680 --> 00:48:26,319
>> I absolutely must find the little hollow

929
00:48:26,319 --> 00:48:28,640
in that rounded shoulder. I must.

930
00:48:28,640 --> 00:48:32,640
>> Oh, you must. Well, lesson number one.

931
00:48:32,640 --> 00:48:35,520
>> Oh, no.

932
00:48:35,520 --> 00:48:39,559
>> Don't needle the professor.

933
00:48:42,720 --> 00:48:45,920
>> Is the conference over? Are they ever?

934
00:48:45,920 --> 00:48:49,480
I'll be right back.

935
00:49:08,880 --> 00:49:10,640
>> Adolf Hitler's troops goostepped into

936
00:49:10,640 --> 00:49:13,119
Vienna. Ex-Chancellor Curt Vonusnik was

937
00:49:13,119 --> 00:49:15,359
reported to be under arrest following an

938
00:49:15,359 --> 00:49:17,280
ultimatum by Austrian Nazi leader Arthur

939
00:49:17,280 --> 00:49:19,599
Zeissort. The father and front forces

940
00:49:19,599 --> 00:49:21,920
were disarmed and the swastika was flown

941
00:49:21,920 --> 00:49:24,160
over all public buildings. That's the

942
00:49:24,160 --> 00:49:25,440
world news today.

943
00:49:25,440 --> 00:49:27,440
>> 10 seconds, Miss Graham. Remember, you

944
00:49:27,440 --> 00:49:29,040
have to allow 30 seconds for the switch

945
00:49:29,040 --> 00:49:31,040
over from Chicago. So, wait for my hand

946
00:49:31,040 --> 00:49:34,040
signal.

947
00:49:34,240 --> 00:49:36,079
>> And now to Hollywood and Miss Sheila

948
00:49:36,079 --> 00:49:37,920
Graham with the latest news from

949
00:49:37,920 --> 00:49:40,920
Filmland.

950
00:49:42,249 --> 00:49:44,269
>> [clears throat]

951
00:50:08,800 --> 00:50:12,000
>> Good. Good evening.

952
00:50:12,800 --> 00:50:16,720
This is Sheila Graham from Hollywood.

953
00:50:16,720 --> 00:50:19,760
Mr. Sam Goldwin, who is as well known

954
00:50:19,760 --> 00:50:23,599
for his wit as for his excellent films,

955
00:50:23,599 --> 00:50:26,160
was hunting for a comedy to star Eddie

956
00:50:26,160 --> 00:50:27,920
Canour,

957
00:50:27,920 --> 00:50:31,119
received a call from a writer who told

958
00:50:31,119 --> 00:50:33,680
him he had the perfect comedy for

959
00:50:33,680 --> 00:50:37,920
Canour. Not only was it a good comedy,

960
00:50:37,920 --> 00:50:41,280
the writer insisted, but it also had a

961
00:50:41,280 --> 00:50:42,880
message.

962
00:50:42,880 --> 00:50:45,680
Just write me a comedy, said the witty

963
00:50:45,680 --> 00:50:48,960
Mr. Goldwin. Messages are for Western

964
00:50:48,960 --> 00:50:51,960
Union.

965
00:50:56,800 --> 00:50:58,480
>> Sheilo.

966
00:50:58,480 --> 00:51:01,520
>> Scott. Oh, Scott.

967
00:51:01,520 --> 00:51:04,400
>> Oh, it was a shambles. Oh, I'm so

968
00:51:04,400 --> 00:51:04,880
miserable.

969
00:51:04,880 --> 00:51:06,319
>> Oh, don't be silly, darling. I thought

970
00:51:06,319 --> 00:51:06,880
you were fine.

971
00:51:06,880 --> 00:51:08,800
>> Oh, no. You're lying. And I love you for

972
00:51:08,800 --> 00:51:10,480
it, but I wish you'd been with me.

973
00:51:10,480 --> 00:51:11,599
>> You're a little nervous. Naturally,

974
00:51:11,599 --> 00:51:13,280
anybody would be the first time. Next

975
00:51:13,280 --> 00:51:14,480
week, you'll be okay.

976
00:51:14,480 --> 00:51:16,640
>> That's just it. There isn't going to be

977
00:51:16,640 --> 00:51:20,400
a next week. Mr. Robinson of the network

978
00:51:20,400 --> 00:51:22,559
called from Chicago. They like the

979
00:51:22,559 --> 00:51:24,160
material, but not my voice, and they're

980
00:51:24,160 --> 00:51:25,680
going to use a professional radio

981
00:51:25,680 --> 00:51:26,400
actress.

982
00:51:26,400 --> 00:51:27,440
>> Oh, that's ridiculous.

983
00:51:27,440 --> 00:51:29,680
>> I know. Well, I I argued with them. I

984
00:51:29,680 --> 00:51:31,520
told them that what made me nervous was

985
00:51:31,520 --> 00:51:33,839
the weight. that 30-second delay. But

986
00:51:33,839 --> 00:51:35,680
no, he's set on it. He's going to use an

987
00:51:35,680 --> 00:51:36,559
actress.

988
00:51:36,559 --> 00:51:39,920
>> No, he is he over my dead body. You'll

989
00:51:39,920 --> 00:51:41,599
go right back to Chicago, Sheila, and

990
00:51:41,599 --> 00:51:44,079
you'll do the show from there. Sheila,

991
00:51:44,079 --> 00:51:46,160
there are times when you just have to

992
00:51:46,160 --> 00:51:48,960
fight back.

993
00:51:48,960 --> 00:51:50,880
You'll go to Chicago and you'll do the

994
00:51:50,880 --> 00:51:54,119
show yourself

995
00:51:54,480 --> 00:51:58,359
and I'm going with you.

996
00:51:59,680 --> 00:52:02,240
Oh, that would be wonderful.

997
00:52:02,240 --> 00:52:04,800
>> I feel so completely different when I'm

998
00:52:04,800 --> 00:52:07,960
with you.

999
00:52:08,000 --> 00:52:09,626
>> But Scott, you can't leave your

1000
00:52:09,626 --> 00:52:10,800
[clears throat] work for four whole

1001
00:52:10,800 --> 00:52:11,280
days.

1002
00:52:11,280 --> 00:52:12,800
>> Oh, never mind about that. They can have

1003
00:52:12,800 --> 00:52:14,800
conferences until I get back. All they

1004
00:52:14,800 --> 00:52:17,440
want. I'm no good in conferences anyway.

1005
00:52:17,440 --> 00:52:19,119
I was with them for seven straight hours

1006
00:52:19,119 --> 00:52:21,200
today. Talk, talk, talk. Nothing but

1007
00:52:21,200 --> 00:52:24,559
confusion. I'm going with you.

1008
00:52:24,559 --> 00:52:26,480
>> I'll arrange it.

1009
00:52:26,480 --> 00:52:29,520
>> Oh. Oh.

1010
00:52:29,520 --> 00:52:33,720
What would I do without you?

1011
00:52:36,079 --> 00:52:36,960
>> Hello, Mr. Pton.

1012
00:52:36,960 --> 00:52:38,480
>> Hello, Mr. Fitzgerald.

1013
00:52:38,480 --> 00:52:39,839
>> Mr. Harrison.

1014
00:52:39,839 --> 00:52:41,839
>> Yes, but Mr. Foster's with him right

1015
00:52:41,839 --> 00:52:44,160
now.

1016
00:52:44,160 --> 00:52:45,440
>> Well, I wonder if I might see him just

1017
00:52:45,440 --> 00:52:46,079
for a minute.

1018
00:52:46,079 --> 00:52:50,359
>> Well, I'm sure he'll see you.

1019
00:52:50,559 --> 00:52:52,400
>> Mr. Fitzgerald is here and would like to

1020
00:52:52,400 --> 00:52:55,760
see you for just a moment.

1021
00:52:55,760 --> 00:52:57,839
Thank you.

1022
00:52:57,839 --> 00:52:59,040
You may go right in.

1023
00:52:59,040 --> 00:53:02,279
>> Thank you.

1024
00:53:03,520 --> 00:53:04,800
Hello, Sam. Come in,

1025
00:53:04,800 --> 00:53:06,160
>> Scott. Hi, Scott.

1026
00:53:06,160 --> 00:53:07,760
>> Sam,

1027
00:53:07,760 --> 00:53:09,200
I'm sorry to interrupt like this. I just

1028
00:53:09,200 --> 00:53:11,119
wanted to tell you going to Chicago for

1029
00:53:11,119 --> 00:53:12,160
3 or 4 days.

1030
00:53:12,160 --> 00:53:12,960
>> Oh,

1031
00:53:12,960 --> 00:53:14,160
>> yeah. I'd like to get away from the

1032
00:53:14,160 --> 00:53:16,640
script for a few days. I I think I'm a

1033
00:53:16,640 --> 00:53:17,839
little too close to it, but don't worry

1034
00:53:17,839 --> 00:53:19,920
about it. I'll be back on Thursday. I'll

1035
00:53:19,920 --> 00:53:20,480
check with you.

1036
00:53:20,480 --> 00:53:22,240
>> Oh, Scott.

1037
00:53:22,240 --> 00:53:24,480
>> Sit down a minute, will you?

1038
00:53:24,480 --> 00:53:27,760
>> You excuse us, Sam? Shib.

1039
00:53:27,760 --> 00:53:31,000
>> Sit down.

1040
00:53:35,040 --> 00:53:36,480
>> As a matter of fact, I was going to talk

1041
00:53:36,480 --> 00:53:38,640
to you tomorrow, but since you're going

1042
00:53:38,640 --> 00:53:40,559
away, I think I may as well tell you

1043
00:53:40,559 --> 00:53:42,559
now.

1044
00:53:42,559 --> 00:53:45,359
I've had to make a decision, Scott. I'm

1045
00:53:45,359 --> 00:53:49,078
taking you off the picture.

1046
00:53:49,520 --> 00:53:50,640
>> What's the matter? You're going to shel

1047
00:53:50,640 --> 00:53:52,400
the picture? Not going ahead with it?

1048
00:53:52,400 --> 00:53:55,040
No, we're going ahead with a picture

1049
00:53:55,040 --> 00:53:59,319
with another writer. I'm sorry.

1050
00:54:00,400 --> 00:54:03,599
>> You mean I'm fired?

1051
00:54:03,599 --> 00:54:05,280
>> You're a great novelist, Scott, but

1052
00:54:05,280 --> 00:54:08,240
screenwriting? Well, frankly, you just

1053
00:54:08,240 --> 00:54:10,559
don't seem to have the knack for it. Had

1054
00:54:10,559 --> 00:54:12,400
four assignments and you failed on every

1055
00:54:12,400 --> 00:54:16,240
one. Four scripts, but not a single

1056
00:54:16,240 --> 00:54:19,599
picture. Oh, you write beautiful pros,

1057
00:54:19,599 --> 00:54:21,040
Scott, but we can't photograph

1058
00:54:21,040 --> 00:54:24,040
adjectives.

1059
00:54:24,240 --> 00:54:27,119
I like having you around, but I can't

1060
00:54:27,119 --> 00:54:30,720
justify keeping you on sale.

1061
00:54:30,720 --> 00:54:32,800
Take my advice.

1062
00:54:32,800 --> 00:54:35,760
Go back to writing novels.

1063
00:54:35,760 --> 00:54:38,160
>> But you said that you love you loved

1064
00:54:38,160 --> 00:54:39,359
what I was doing.

1065
00:54:39,359 --> 00:54:42,079
>> Sure, some of it reads great, but it

1066
00:54:42,079 --> 00:54:43,839
doesn't sound like dialogue like people

1067
00:54:43,839 --> 00:54:46,882
talk. [laughter]

1068
00:54:47,680 --> 00:54:49,280
If there's one thing in this world that

1069
00:54:49,280 --> 00:54:50,960
I do know, it's it's the voice and the

1070
00:54:50,960 --> 00:54:52,400
sound of my own generation.

1071
00:54:52,400 --> 00:54:54,400
>> I thought so too on some of it, but it

1072
00:54:54,400 --> 00:54:57,760
just doesn't come off.

1073
00:54:57,760 --> 00:54:59,200
>> I'm almost through. Let me finish the

1074
00:54:59,200 --> 00:54:59,680
script.

1075
00:54:59,680 --> 00:55:01,520
>> Scott,

1076
00:55:01,520 --> 00:55:03,920
I've got a deadline to meet, a starting

1077
00:55:03,920 --> 00:55:05,839
date on the picture. I can't take that

1078
00:55:05,839 --> 00:55:08,839
risk.

1079
00:55:09,359 --> 00:55:12,160
>> All right. You just tell me how you want

1080
00:55:12,160 --> 00:55:16,240
it written and I'll write it.

1081
00:55:16,240 --> 00:55:19,680
me tell F. Scott Fitzgerald how to

1082
00:55:19,680 --> 00:55:22,680
write.

1083
00:55:25,520 --> 00:55:28,319
>> All right, Stan. I'll be seeing you.

1084
00:55:28,319 --> 00:55:31,319
>> Scott,

1085
00:55:32,400 --> 00:55:35,040
as a novelist, in my opinion, you still

1086
00:55:35,040 --> 00:55:36,240
have no equal.

1087
00:55:36,240 --> 00:55:38,480
>> Sure. Well, uh, thanks for everything.

1088
00:55:38,480 --> 00:55:41,880
>> Best of luck.

1089
00:55:45,200 --> 00:55:48,598
Goodbye, Mr.

1090
00:56:10,400 --> 00:56:12,720
Miss Sheila Graham. Miss Sheila Graham.

1091
00:56:12,720 --> 00:56:14,720
Would you come to the PWA ticket,

1092
00:56:14,720 --> 00:56:17,720
please?

1093
00:56:19,760 --> 00:56:20,079
>> Thank you,

1094
00:56:20,079 --> 00:56:20,640
>> Miss Graham.

1095
00:56:20,640 --> 00:56:20,960
>> Yes.

1096
00:56:20,960 --> 00:56:22,480
>> This message just came in for you.

1097
00:56:22,480 --> 00:56:23,119
>> Oh,

1098
00:56:23,119 --> 00:56:24,480
>> you may use the phone in my office if

1099
00:56:24,480 --> 00:56:25,839
you'd like to. Oh, that's very kind of

1100
00:56:25,839 --> 00:56:28,839
you,

1101
00:56:30,480 --> 00:56:32,000
>> darling. It's long distance from New

1102
00:56:32,000 --> 00:56:36,040
York. It shouldn't take a minute.

1103
00:56:49,040 --> 00:56:52,640
United Airlines flight 3, Bakersfield,

1104
00:56:52,640 --> 00:56:55,920
Fresno, Oakland, and San Francisco. Now

1105
00:56:55,920 --> 00:57:01,559
loading at gate one. All aboard, please.

1106
00:57:06,000 --> 00:57:08,240
>> It was John Wheeler, darling. He's going

1107
00:57:08,240 --> 00:57:10,559
to meet us in Chicago, and he's so glad

1108
00:57:10,559 --> 00:57:12,000
you're coming. He said it would be like

1109
00:57:12,000 --> 00:57:14,799
old times. I'll have a brandy, please,

1110
00:57:14,799 --> 00:57:15,839
just for the take off.

1111
00:57:15,839 --> 00:57:18,960
>> I'll have another double gin just for

1112
00:57:18,960 --> 00:57:21,409
the takeoff.

1113
00:57:21,409 --> 00:57:23,429
[laughter]

1114
00:57:27,920 --> 00:57:30,640
>> Scott, what are you doing? I've never

1115
00:57:30,640 --> 00:57:31,520
seen you drink.

1116
00:57:31,520 --> 00:57:35,319
>> So, you're seeing me now.

1117
00:57:36,640 --> 00:57:39,200
>> Scott, what's the matter with you?

1118
00:57:39,200 --> 00:57:40,400
Please tell me.

1119
00:57:40,400 --> 00:57:41,520
>> Nothing's the matter with me.

1120
00:57:41,520 --> 00:57:43,040
Everything's for the best in the best of

1121
00:57:43,040 --> 00:57:44,880
all possible worlds. And another time

1122
00:57:44,880 --> 00:57:46,000
around, Charlie.

1123
00:57:46,000 --> 00:57:48,480
>> Oh no. Please, God. Please, darling,

1124
00:57:48,480 --> 00:57:52,160
tell me what's wrong.

1125
00:57:52,160 --> 00:57:54,000
>> No, I don't.

1126
00:57:54,000 --> 00:57:56,480
>> PWA flight 6 to Albuquerque, Kansas

1127
00:57:56,480 --> 00:57:58,480
City, and Chicago. Now loading at gate

1128
00:57:58,480 --> 00:58:02,520
three. All aboard, please.

1129
00:58:04,799 --> 00:58:06,960
>> Let's go.

1130
00:58:06,960 --> 00:58:10,440
Let's fly.

1131
00:58:12,640 --> 00:58:16,279
Let's fly.

1132
00:58:20,559 --> 00:58:23,680
>> Oh, Scott, please, if you're going to be

1133
00:58:23,680 --> 00:58:27,879
any help to me at all.

1134
00:58:32,960 --> 00:58:34,799
>> Would you care for a magazine?

1135
00:58:34,799 --> 00:58:36,319
>> No, but I'd certainly like to sell

1136
00:58:36,319 --> 00:58:39,200
something. Do you know who I am? No sir,

1137
00:58:39,200 --> 00:58:40,880
I don't have my passenger list with me.

1138
00:58:40,880 --> 00:58:44,480
>> Never mind, I'll tell you. I am F. Scott

1139
00:58:44,480 --> 00:58:47,280
Fitzgerald, and she is Sheila.

1140
00:58:47,280 --> 00:58:51,400
>> Scott, please, for heaven's sake,

1141
00:58:51,520 --> 00:58:54,759
stop it.

1142
00:59:05,599 --> 00:59:07,680
Sir,

1143
00:59:07,680 --> 00:59:09,280
do you know who I am?

1144
00:59:09,280 --> 00:59:10,400
>> Nope. Who are you?

1145
00:59:10,400 --> 00:59:14,240
>> I am F. Scott Fitzgerald.

1146
00:59:14,240 --> 00:59:16,079
Surely you've heard of my books, The

1147
00:59:16,079 --> 00:59:18,559
Great Gatsby.

1148
00:59:18,559 --> 00:59:21,280
Uh, plenty of others, haven't you?

1149
00:59:21,280 --> 00:59:24,000
>> Oh, yes, of course I've heard of you.

1150
00:59:24,000 --> 00:59:24,160
You

1151
00:59:24,160 --> 00:59:28,680
>> see there? Heard me.

1152
00:59:28,799 --> 00:59:32,520
He's heard of me.

1153
00:59:36,720 --> 00:59:38,559
>> How about you, sir? Have you heard of

1154
00:59:38,559 --> 00:59:41,559
me?

1155
00:59:42,079 --> 00:59:44,559
>> Can't say as I ever have.

1156
00:59:44,559 --> 00:59:46,640
>> You're fired.

1157
00:59:46,640 --> 00:59:49,440
You're fired.

1158
00:59:49,440 --> 00:59:53,799
>> F. Scott Fitzgerald.

1159
00:59:53,839 --> 00:59:55,520
>> I'm so thrilled to meet my favorite

1160
00:59:55,520 --> 00:59:57,280
author in person.

1161
00:59:57,280 --> 00:59:59,200
I never thought I'd be speaking to you

1162
00:59:59,200 --> 01:00:01,839
of all people. I've always visualized

1163
01:00:01,839 --> 01:00:05,200
you as being just as handsome, daring,

1164
01:00:05,200 --> 01:00:07,119
and romantic a figure as any of the

1165
01:00:07,119 --> 01:00:10,160
heroes in your books. And you know, you

1166
01:00:10,160 --> 01:00:13,040
haven't disappointed me one bit. You're

1167
01:00:13,040 --> 01:00:18,319
even more so. Even more so.

1168
01:00:18,319 --> 01:00:20,640
>> You know my works, do you?

1169
01:00:20,640 --> 01:00:25,400
>> Every single line you ever wrote.

1170
01:00:30,160 --> 01:00:34,118
You silly brat.

1171
01:00:35,946 --> 01:00:37,966
[laughter]

1172
01:00:45,200 --> 01:00:47,040
I wish you would get off here in

1173
01:00:47,040 --> 01:00:48,720
Albuquerque and catch the next plane

1174
01:00:48,720 --> 01:00:50,640
back to Hollywood. It was a great

1175
01:00:50,640 --> 01:00:52,079
mistake for you to come with me. You're

1176
01:00:52,079 --> 01:00:54,400
in no condition to help me. I can get on

1177
01:00:54,400 --> 01:00:57,119
much better in Chicago on my own.

1178
01:00:57,119 --> 01:00:59,280
>> Oh, please, Scott. You're making me very

1179
01:00:59,280 --> 01:01:01,839
unhappy. Please get off here and go

1180
01:01:01,839 --> 01:01:02,559
home.

1181
01:01:02,559 --> 01:01:05,200
>> Oh, Sheilo. I

1182
01:01:05,200 --> 01:01:08,319
shall get off as you suggest.

1183
01:01:08,319 --> 01:01:12,359
>> No problem. No problem.

1184
01:01:14,000 --> 01:01:15,839
You fight your battle and I'll fight my

1185
01:01:15,839 --> 01:01:20,240
battle alone. All alone.

1186
01:01:20,240 --> 01:01:24,240
Lone wolves. You and me see

1187
01:01:24,240 --> 01:01:27,640
lone wolves.

1188
01:01:31,520 --> 01:01:34,920
Lone wolves.

1189
01:01:45,760 --> 01:01:49,440
Flight 6, Kansas City, Chicago. Aboard,

1190
01:01:49,440 --> 01:01:52,440
please.

1191
01:02:30,000 --> 01:02:31,920
Hello.

1192
01:02:31,920 --> 01:02:35,680
>> Oh, Scott. Oh, Scott. I'm so glad you're

1193
01:02:35,680 --> 01:02:38,000
back. I shouldn't have said that,

1194
01:02:38,000 --> 01:02:40,720
darling. I'm sorry. I love you. I love

1195
01:02:40,720 --> 01:02:44,480
you. Oh, I'm so glad you didn't get off.

1196
01:02:44,480 --> 01:02:46,640
>> Oh, I got off.

1197
01:02:46,640 --> 01:02:48,640
I got another bottle.

1198
01:02:48,640 --> 01:02:51,200
>> Oh, Scott.

1199
01:02:51,200 --> 01:02:57,240
Scott. Really? Mr. Fitzgerald, please.

1200
01:02:57,280 --> 01:03:00,920
Comes Mr. Fitzgerald.

1201
01:03:45,440 --> 01:03:46,160
Sheila.

1202
01:03:46,160 --> 01:03:47,200
>> John, darling.

1203
01:03:47,200 --> 01:03:48,559
>> John, good to see you. You look

1204
01:03:48,559 --> 01:03:49,119
wonderful.

1205
01:03:49,119 --> 01:03:49,839
>> Thank you,

1206
01:03:49,839 --> 01:03:51,440
>> Sheila. This is Ted Robinson from the

1207
01:03:51,440 --> 01:03:51,920
network.

1208
01:03:51,920 --> 01:03:54,400
>> Oh, yes. The enemy. Come in, Mr.

1209
01:03:54,400 --> 01:03:56,079
Robinson, and sit down, won't you?

1210
01:03:56,079 --> 01:03:57,760
>> Thank you. Well,

1211
01:03:57,760 --> 01:03:59,359
>> you mustn't think of Ted as the enemy,

1212
01:03:59,359 --> 01:04:00,960
Sheila. Let's see if we can work this

1213
01:04:00,960 --> 01:04:01,599
all out.

1214
01:04:01,599 --> 01:04:04,960
>> Yes, fine. I um I I just know I can do

1215
01:04:04,960 --> 01:04:07,119
the broadcast beautifully, Mr. Robinson,

1216
01:04:07,119 --> 01:04:09,200
if I don't have that terrifying

1217
01:04:09,200 --> 01:04:10,799
halfminute wait.

1218
01:04:10,799 --> 01:04:12,880
>> Miss Graham, as program director, I am

1219
01:04:12,880 --> 01:04:14,480
responsible for maintaining the level of

1220
01:04:14,480 --> 01:04:15,039
our

1221
01:04:15,039 --> 01:04:17,039
>> Scott.

1222
01:04:17,039 --> 01:04:18,880
John O.

1223
01:04:18,880 --> 01:04:22,319
>> Uh Mr. Robinson, this is Mr. Fitzgerald.

1224
01:04:22,319 --> 01:04:24,880
>> How do you do?

1225
01:04:24,880 --> 01:04:26,720
>> Just go right ahead, Mr. Robson. Go

1226
01:04:26,720 --> 01:04:30,038
right ahead.

1227
01:04:30,160 --> 01:04:32,720
The problem of course is your delivery.

1228
01:04:32,720 --> 01:04:35,440
>> Yes, I know I was very very nervous. But

1229
01:04:35,440 --> 01:04:37,920
I still say at that half minute wait it

1230
01:04:37,920 --> 01:04:39,119
seems like an eternity.

1231
01:04:39,119 --> 01:04:40,880
>> Your nervousness is not what disturbs

1232
01:04:40,880 --> 01:04:42,079
us.

1233
01:04:42,079 --> 01:04:44,799
>> If I may be so frank. A large part of

1234
01:04:44,799 --> 01:04:47,599
our audience is western and midwestern.

1235
01:04:47,599 --> 01:04:49,440
Their ear is not attuned to the cadences

1236
01:04:49,440 --> 01:04:50,720
of a British accent.

1237
01:04:50,720 --> 01:04:52,240
>> Why don't you try sticking an ear of

1238
01:04:52,240 --> 01:04:55,959
corn in your mouth?

1239
01:04:58,079 --> 01:05:01,440
We require of our broadcasters a

1240
01:05:01,440 --> 01:05:03,920
language that is reduced to its purest

1241
01:05:03,920 --> 01:05:06,240
and most understandable level.

1242
01:05:06,240 --> 01:05:07,920
>> That that is a very heavy

1243
01:05:07,920 --> 01:05:09,440
responsibility.

1244
01:05:09,440 --> 01:05:13,599
Mr. Robinson, you see, Miss Graham,

1245
01:05:13,599 --> 01:05:15,440
we cannot have you English coming over

1246
01:05:15,440 --> 01:05:17,920
here contaminating our beautiful

1247
01:05:17,920 --> 01:05:20,920
language.

1248
01:05:21,520 --> 01:05:21,920
Oh,

1249
01:05:21,920 --> 01:05:25,480
>> Scott, please.

1250
01:05:25,760 --> 01:05:28,079
Put it out, Scott.

1251
01:05:28,079 --> 01:05:30,000
Be yourself.

1252
01:05:30,000 --> 01:05:31,440
>> John, that's about the worst advice you

1253
01:05:31,440 --> 01:05:35,160
can give me right now.

1254
01:05:36,319 --> 01:05:38,559
>> Well, come on, Mr. Robinson. Does she go

1255
01:05:38,559 --> 01:05:40,720
on or doesn't she?

1256
01:05:40,720 --> 01:05:42,559
>> I'm sorry, Miss Graham. Excuse me.

1257
01:05:42,559 --> 01:05:44,240
>> I'm sorry, Mr. Wheeler, but I simply

1258
01:05:44,240 --> 01:05:45,599
can't. Let's go to your office and try

1259
01:05:45,599 --> 01:05:46,640
to settle the matter.

1260
01:05:46,640 --> 01:05:48,720
>> I'm most terribly, terribly sorry, Mr.

1261
01:05:48,720 --> 01:05:49,440
Robinson. I

1262
01:05:49,440 --> 01:05:50,319
>> join us when you can.

1263
01:05:50,319 --> 01:05:53,319
>> Yes.

1264
01:05:55,440 --> 01:05:58,240
Now, now, warden, before you switch on

1265
01:05:58,240 --> 01:05:59,680
the current, the prisoner has a

1266
01:05:59,680 --> 01:06:02,640
statement to make.

1267
01:06:02,640 --> 01:06:07,160
>> Business tactics, my darling.

1268
01:06:07,680 --> 01:06:09,280
>> Business tactics.

1269
01:06:09,280 --> 01:06:12,160
>> Oh, Scott,

1270
01:06:12,160 --> 01:06:15,895
what am I going to do with you?

1271
01:06:15,895 --> 01:06:17,915
[laughter]

1272
01:06:20,079 --> 01:06:22,319
But Ted, what's to be lost if you give

1273
01:06:22,319 --> 01:06:23,920
her one more try?

1274
01:06:23,920 --> 01:06:25,920
>> I just can't take the responsibility.

1275
01:06:25,920 --> 01:06:26,880
Good morning, Miss Ardan.

1276
01:06:26,880 --> 01:06:27,680
>> Good morning, M.

1277
01:06:27,680 --> 01:06:29,680
>> Miss Ardan is here. She has an excellent

1278
01:06:29,680 --> 01:06:31,599
reading voice. She's familiar with Miss

1279
01:06:31,599 --> 01:06:33,599
Graham's material, and I'm sure even you

1280
01:06:33,599 --> 01:06:36,160
will approve our choice.

1281
01:06:36,160 --> 01:06:38,000
>> What would the Luella Parson show be

1282
01:06:38,000 --> 01:06:40,160
without Luella?

1283
01:06:40,160 --> 01:06:41,839
I admit it would be preferable if Miss

1284
01:06:41,839 --> 01:06:43,280
Graham did her own show. But

1285
01:06:43,280 --> 01:06:45,280
>> couldn't you possibly give me one run

1286
01:06:45,280 --> 01:06:47,680
through right now and then if you're not

1287
01:06:47,680 --> 01:06:49,760
completely satisfied? Well, you have

1288
01:06:49,760 --> 01:06:51,440
Miss Arden and I'll be on my way back to

1289
01:06:51,440 --> 01:06:55,200
Hollywood and no hard feelings.

1290
01:06:55,200 --> 01:06:57,359
>> I'll agree to that. We haven't much

1291
01:06:57,359 --> 01:06:58,960
time. Charlie, would you please have

1292
01:06:58,960 --> 01:07:00,559
Miss Arden wait to studio A?

1293
01:07:00,559 --> 01:07:00,960
>> Right,

1294
01:07:00,960 --> 01:07:02,160
>> Miss Graham? Whenever you're ready.

1295
01:07:02,160 --> 01:07:03,119
>> Oh, yes. Yes.

1296
01:07:03,119 --> 01:07:05,119
>> Miss Ardan. Miss Ardan, would you be

1297
01:07:05,119 --> 01:07:06,880
kind enough to wait for us in studio A,

1298
01:07:06,880 --> 01:07:08,240
please?

1299
01:07:08,240 --> 01:07:09,680
We're going to give Miss Graeme a run

1300
01:07:09,680 --> 01:07:12,680
through.

1301
01:07:31,440 --> 01:07:33,119
>> Okay, Miss Graham, let's get a level,

1302
01:07:33,119 --> 01:07:36,119
please.

1303
01:07:37,039 --> 01:07:39,920
Good evening. This is Sheila Graham from

1304
01:07:39,920 --> 01:07:40,960
Hollywood.

1305
01:07:40,960 --> 01:07:43,960
>> Perfect.

1306
01:07:44,079 --> 01:07:47,599
>> Perfect, Sheilo. Just great.

1307
01:07:47,599 --> 01:07:51,559
>> Oh, Scott, please.

1308
01:07:52,000 --> 01:07:55,359
>> Oh, Sheilo, don't be afraid of them.

1309
01:07:55,359 --> 01:07:58,079
There's nothing to be afraid of, Sheilo.

1310
01:07:58,079 --> 01:08:01,680
>> I'll get him out of here right away.

1311
01:08:01,680 --> 01:08:03,920
Scott, will you please sit down and be

1312
01:08:03,920 --> 01:08:04,799
quiet?

1313
01:08:04,799 --> 01:08:06,720
>> Level's fine, Miss Graham. Now for a

1314
01:08:06,720 --> 01:08:10,240
complete run through. Ready? Start. Now

1315
01:08:10,240 --> 01:08:13,558
she will.

1316
01:08:14,160 --> 01:08:17,359
Don't be nervous.

1317
01:08:17,359 --> 01:08:21,960
Just be yourself.

1318
01:08:22,238 --> 01:08:24,238
Your darling,

1319
01:08:24,238 --> 01:08:26,479
lovely

1320
01:08:26,479 --> 01:08:29,479
bewitching.

1321
01:08:30,560 --> 01:08:32,719
self.

1322
01:08:32,719 --> 01:08:34,880
That's all you have to do, darling. Just

1323
01:08:34,880 --> 01:08:36,560
absolutely

1324
01:08:36,560 --> 01:08:39,960
be yourself.

1325
01:08:41,439 --> 01:08:43,920
>> Hello, John. What can I do for you?

1326
01:08:43,920 --> 01:08:46,238
>> Let's go back to the hotel, Scott.

1327
01:08:46,238 --> 01:08:47,839
>> Fine.

1328
01:08:47,839 --> 01:08:50,839
Fine.

1329
01:08:50,880 --> 01:08:52,399
Soon as I get Sheila straightened out

1330
01:08:52,399 --> 01:08:54,238
here now, darling, let's try it again.

1331
01:08:54,238 --> 01:08:57,920
H. Now this time remember

1332
01:08:57,920 --> 01:09:00,560
just relax.

1333
01:09:00,560 --> 01:09:04,120
Come on darling.

1334
01:09:04,640 --> 01:09:08,640
Give us that great big smile.

1335
01:09:08,640 --> 01:09:12,359
Be my own Sheilo.

1336
01:09:19,520 --> 01:09:22,158
Good evening.

1337
01:09:22,158 --> 01:09:26,158
This is Sheila Graham from Hollywood.

1338
01:09:26,158 --> 01:09:28,158
The newlyweds Frederick March and

1339
01:09:28,158 --> 01:09:30,880
Florence Eldridge got two tickets in the

1340
01:09:30,880 --> 01:09:34,319
mail from an unknown benefactor.

1341
01:09:34,319 --> 01:09:35,679
It was for the opening night of the

1342
01:09:35,679 --> 01:09:38,719
stage play Hamlet starring Leslie Howard

1343
01:09:38,719 --> 01:09:41,839
and as tickets were hard to come by.

1344
01:09:41,839 --> 01:09:44,560
>> Now you've got it, Sheilo. That was it.

1345
01:09:44,560 --> 01:09:46,399
That was wonderful. Wasn't that just

1346
01:09:46,399 --> 01:09:47,759
great, John?

1347
01:09:47,759 --> 01:09:49,600
>> Just great. Come on, Scott.

1348
01:09:49,600 --> 01:09:51,520
>> You've got it, Sheilo. It's in the bag.

1349
01:09:51,520 --> 01:09:53,679
You can't miss. You see what I mean,

1350
01:09:53,679 --> 01:09:56,480
John? It's the secret of all great

1351
01:09:56,480 --> 01:09:58,640
performers. You just have to be

1352
01:09:58,640 --> 01:10:01,120
yourself. Take any anyone you meet like

1353
01:10:01,120 --> 01:10:03,840
Barry Moore, Ben Hard, Duza, London

1354
01:10:03,840 --> 01:10:06,000
Fontan, Helen Hayes. One secret. What is

1355
01:10:06,000 --> 01:10:11,320
it? Nothing to it. Just themselves.

1356
01:10:15,280 --> 01:10:16,719
Now, Miss Graham, everything's all

1357
01:10:16,719 --> 01:10:20,920
right. Let's go. Right on.

1358
01:10:23,360 --> 01:10:25,440
John, where is he?

1359
01:10:25,440 --> 01:10:27,520
>> He's asleep. I was just leaving you a

1360
01:10:27,520 --> 01:10:29,360
note.

1361
01:10:29,360 --> 01:10:31,280
>> Oh,

1362
01:10:31,280 --> 01:10:33,040
John,

1363
01:10:33,040 --> 01:10:35,520
it's just awful that you had to be

1364
01:10:35,520 --> 01:10:37,199
dragged into all this.

1365
01:10:37,199 --> 01:10:39,440
>> Hell, don't worry about me. [sighs]

1366
01:10:39,440 --> 01:10:42,719
>> That's my first experience with Scott

1367
01:10:42,719 --> 01:10:47,040
like this, and I I am absolutely furious

1368
01:10:47,040 --> 01:10:48,080
with him,

1369
01:10:48,080 --> 01:10:50,000
>> all things considered. I think the poor

1370
01:10:50,000 --> 01:10:52,080
guy hasn't behaved too badly

1371
01:10:52,080 --> 01:10:53,840
>> like that. What am I supposed to do? Go

1372
01:10:53,840 --> 01:10:56,400
in there and wake him up and apologize?

1373
01:10:56,400 --> 01:10:58,320
>> Shuna, don't you know that he's lost his

1374
01:10:58,320 --> 01:11:02,640
job? Been fired at the studio?

1375
01:11:02,640 --> 01:11:04,960
>> Fired.

1376
01:11:04,960 --> 01:11:07,920
But he but he didn't tell me. He didn't

1377
01:11:07,920 --> 01:11:08,800
say a word.

1378
01:11:08,800 --> 01:11:10,400
>> Worst possible time for a thing like

1379
01:11:10,400 --> 01:11:12,640
this to happen. Zelda, the hospital

1380
01:11:12,640 --> 01:11:15,120
bills, the daughter, his self-conidence,

1381
01:11:15,120 --> 01:11:16,800
everything gone.

1382
01:11:16,800 --> 01:11:19,199
And here I've been worrying about my

1383
01:11:19,199 --> 01:11:23,000
stupid little broadcast.

1384
01:11:27,679 --> 01:11:30,960
>> John, I've got to help him. What should

1385
01:11:30,960 --> 01:11:32,320
I do?

1386
01:11:32,320 --> 01:11:34,480
>> Well, get a doctor. He'll probably

1387
01:11:34,480 --> 01:11:36,000
recommend putting him in a sanitarium

1388
01:11:36,000 --> 01:11:36,719
until he gets over.

1389
01:11:36,719 --> 01:11:38,960
>> Oh, John. I can't do that. No, I can't

1390
01:11:38,960 --> 01:11:41,920
do that to him.

1391
01:11:41,920 --> 01:11:45,040
Oh, my poor darling.

1392
01:11:45,040 --> 01:11:47,520
Oh, John, help me. Help me. I don't know

1393
01:11:47,520 --> 01:11:51,880
what to do. I don't know what to do.

1394
01:11:52,569 --> 01:11:53,224
[singing]

1395
01:11:53,224 --> 01:11:55,244
[music]

1396
01:12:07,520 --> 01:12:09,655
La. [laughter]

1397
01:12:17,920 --> 01:12:20,159
>> Hello, darling. How you feeling?

1398
01:12:20,159 --> 01:12:23,360
>> Oh, better than I should.

1399
01:12:23,360 --> 01:12:25,440
>> Dr. Hoffman been here today?

1400
01:12:25,440 --> 01:12:28,239
>> Yes, I'm riddled with punctures and

1401
01:12:28,239 --> 01:12:31,639
filled with vitamins.

1402
01:12:36,560 --> 01:12:42,120
Scott, what are we going to do about us?

1403
01:12:43,120 --> 01:12:46,640
Drinking frightens me.

1404
01:12:46,640 --> 01:12:48,400
Darling, I'll take the bad with the

1405
01:12:48,400 --> 01:12:50,320
good. But

1406
01:12:50,320 --> 01:12:52,960
I feel that perhaps first I should know

1407
01:12:52,960 --> 01:12:55,760
just how much of it is going to be.

1408
01:12:55,760 --> 01:12:58,239
>> You've seen the end of it.

1409
01:12:58,239 --> 01:13:00,800
I'm going back to work.

1410
01:13:00,800 --> 01:13:02,320
Already called my agent about another

1411
01:13:02,320 --> 01:13:04,159
picture assignment.

1412
01:13:04,159 --> 01:13:05,840
Fine. Do you know? Do you know

1413
01:13:05,840 --> 01:13:07,199
something? [music]

1414
01:13:07,199 --> 01:13:08,800
I don't want you to write any more

1415
01:13:08,800 --> 01:13:11,679
screenplays. This place isn't right for

1416
01:13:11,679 --> 01:13:13,199
you. You should be somewhere where it's

1417
01:13:13,199 --> 01:13:15,760
quiet with a no distraction so that

1418
01:13:15,760 --> 01:13:17,600
you've got a chance to do what you can

1419
01:13:17,600 --> 01:13:20,159
do best and [music] that's write novels.

1420
01:13:20,159 --> 01:13:21,520
You've been taking notes on a novel

1421
01:13:21,520 --> 01:13:22,880
about Hollywood and you should get on

1422
01:13:22,880 --> 01:13:26,920
with it. Start writing.

1423
01:13:30,719 --> 01:13:34,880
Serious writing takes time.

1424
01:13:34,880 --> 01:13:37,880
time.

1425
01:13:38,320 --> 01:13:41,440
There are certain obligations that I

1426
01:13:41,440 --> 01:13:44,678
must meet.

1427
01:13:45,199 --> 01:13:49,320
You know that Zelda's in a sanitarium.

1428
01:13:49,840 --> 01:13:52,000
I can't allow her to be put into an

1429
01:13:52,000 --> 01:13:55,600
asylum. Can't.

1430
01:13:55,600 --> 01:13:58,239
And Scotty is in

1431
01:13:58,239 --> 01:14:00,800
most crucial stage of her education

1432
01:14:00,800 --> 01:14:04,239
right now. So, I must have a certain sum

1433
01:14:04,239 --> 01:14:08,080
of money coming in regularly.

1434
01:14:08,080 --> 01:14:11,640
Writing a novel

1435
01:14:12,320 --> 01:14:16,400
takes takes time. Time.

1436
01:14:16,400 --> 01:14:18,480
>> Yes, I I know, darling. And I've been

1437
01:14:18,480 --> 01:14:20,000
thinking about that, too. And I [music]

1438
01:14:20,000 --> 01:14:22,719
I think I have a solution.

1439
01:14:22,719 --> 01:14:25,760
I I do hope you're going to like it. Do

1440
01:14:25,760 --> 01:14:28,320
you know what I've done? I've rented a

1441
01:14:28,320 --> 01:14:30,880
house at Malibu Beach, away from all

1442
01:14:30,880 --> 01:14:32,800
this. And with [music] six weeks of

1443
01:14:32,800 --> 01:14:34,400
concentrated effort, you could write

1444
01:14:34,400 --> 01:14:36,239
enough to get a big advance from any

1445
01:14:36,239 --> 01:14:38,080
publisher in America. That would solve

1446
01:14:38,080 --> 01:14:42,040
your problems, wouldn't it?

1447
01:14:42,880 --> 01:14:46,239
>> Oh, Scott, it's a lovely little house.

1448
01:14:46,239 --> 01:14:48,800
Just the sound of the surf and the gels.

1449
01:14:48,800 --> 01:14:50,320
And

1450
01:14:50,320 --> 01:14:52,080
what do you think?

1451
01:14:52,080 --> 01:14:54,560
>> Well, it sounds good.

1452
01:14:54,560 --> 01:14:56,800
Might work.

1453
01:14:56,800 --> 01:14:58,960
I am intrigued with the tycoons of this

1454
01:14:58,960 --> 01:15:00,560
industry.

1455
01:15:00,560 --> 01:15:02,320
There's a good theme in it.

1456
01:15:02,320 --> 01:15:05,120
>> When should we go?

1457
01:15:05,120 --> 01:15:07,360
>> Well, right now.

1458
01:15:07,360 --> 01:15:10,239
>> All right. Come on. I'll help you pack.

1459
01:15:10,239 --> 01:15:13,959
>> That won't take long.

1460
01:15:14,080 --> 01:15:17,520
>> I'll get the luggage. You know, I've

1461
01:15:17,520 --> 01:15:19,600
always felt that Hollywood had a

1462
01:15:19,600 --> 01:15:21,920
wonderful kind of a foolish grandeur

1463
01:15:21,920 --> 01:15:23,440
like an Italian court in the

1464
01:15:23,440 --> 01:15:27,360
Renaissance. It's got its kings,

1465
01:15:27,360 --> 01:15:28,960
clowns,

1466
01:15:28,960 --> 01:15:31,280
wicked princes, and clever mistresses,

1467
01:15:31,280 --> 01:15:34,320
all in a ferment of ambitious motion.

1468
01:15:34,320 --> 01:15:36,080
>> And it's scribes, chronicers, and

1469
01:15:36,080 --> 01:15:38,159
gossips like me.

1470
01:15:38,159 --> 01:15:39,920
>> What you doing with this?

1471
01:15:39,920 --> 01:15:41,679
>> Oh, I used to have that in Baltimore.

1472
01:15:41,679 --> 01:15:46,120
Need prowlers around the place once.

1473
01:15:47,280 --> 01:15:49,920
I think that the theme

1474
01:15:49,920 --> 01:15:52,640
would be the conflict

1475
01:15:52,640 --> 01:15:54,320
between one

1476
01:15:54,320 --> 01:15:57,280
superior man and all the petty, angry

1477
01:15:57,280 --> 01:15:59,440
forces that try to tug him down, drag

1478
01:15:59,440 --> 01:16:01,760
him down, make him settle for less than

1479
01:16:01,760 --> 01:16:06,600
the best, something they can understand.

1480
01:16:07,600 --> 01:16:09,760
Probably in the end they'd destroy him.

1481
01:16:09,760 --> 01:16:12,880
>> What is this?

1482
01:16:12,880 --> 01:16:14,000
>> It's a bull's tale.

1483
01:16:14,000 --> 01:16:16,080
>> Yeah, of course it is. But what on earth

1484
01:16:16,080 --> 01:16:16,560
for?

1485
01:16:16,560 --> 01:16:18,640
>> What on earth for? Well, Juan Belmont

1486
01:16:18,640 --> 01:16:21,199
gave me that in Madrid in 1926.

1487
01:16:21,199 --> 01:16:22,640
>> And you've been lugging it around ever

1488
01:16:22,640 --> 01:16:25,120
since.

1489
01:16:25,120 --> 01:16:27,840
ever since. Can't throw a thing like

1490
01:16:27,840 --> 01:16:31,080
that away.

1491
01:16:47,199 --> 01:16:50,199
Heat. Heat.

1492
01:17:12,213 --> 01:17:14,233
>> [music]

1493
01:17:42,400 --> 01:17:43,920
>> Hello, darling.

1494
01:17:43,920 --> 01:17:46,159
>> Hello, Sheilo.

1495
01:17:46,159 --> 01:17:47,520
How'd it go today?

1496
01:17:47,520 --> 01:17:49,840
>> Pretty good. Pretty good. Oh, my

1497
01:17:49,840 --> 01:17:51,440
literary agent called from New York.

1498
01:17:51,440 --> 01:17:52,159
>> Mhm.

1499
01:17:52,159 --> 01:17:54,239
>> Well, I'll get four chapters ready. He

1500
01:17:54,239 --> 01:17:55,600
wants to submit them to the Saturday

1501
01:17:55,600 --> 01:17:57,760
Evening Post and to college. What do you

1502
01:17:57,760 --> 01:17:58,400
think of that,

1503
01:17:58,400 --> 01:18:01,040
>> darling? That's wonderful. I knew it was

1504
01:18:01,040 --> 01:18:02,480
the right thing for you to move down

1505
01:18:02,480 --> 01:18:07,559
here. Oh, I am so pleased.

1506
01:18:10,960 --> 01:18:13,280
>> What kind of a day did you have?

1507
01:18:13,280 --> 01:18:15,199
>> Oh, not bad.

1508
01:18:15,199 --> 01:18:19,360
I finally got an interview with Garbo

1509
01:18:19,360 --> 01:18:22,480
and uh then I went back to the office,

1510
01:18:22,480 --> 01:18:24,800
wrote my column. Oh, and I spoke to John

1511
01:18:24,800 --> 01:18:25,760
Wheeler in New York.

1512
01:18:25,760 --> 01:18:27,520
>> Oh, did you? What do you have to say?

1513
01:18:27,520 --> 01:18:29,440
>> Well, he thought it wouldn't be a bad

1514
01:18:29,440 --> 01:18:32,080
idea if I went to New York.

1515
01:18:32,080 --> 01:18:34,159
>> Uhhuh. What for?

1516
01:18:34,159 --> 01:18:36,480
>> Oh, there's a annual publishers

1517
01:18:36,480 --> 01:18:38,800
convention. And he thought I should go

1518
01:18:38,800 --> 01:18:40,880
back for it and perhaps pick up a few

1519
01:18:40,880 --> 01:18:44,840
new outlets for my column.

1520
01:18:52,719 --> 01:18:55,199
Is there anyone in particular that you'd

1521
01:18:55,199 --> 01:18:59,239
like to see in New York?

1522
01:19:00,960 --> 01:19:04,920
>> Surely you don't think.

1523
01:19:06,239 --> 01:19:06,480
Oh,

1524
01:19:06,480 --> 01:19:09,959
>> don't be ridiculous.

1525
01:19:13,920 --> 01:19:16,920
Sheilo.

1526
01:19:17,520 --> 01:19:22,199
Come here. Come here.

1527
01:19:24,719 --> 01:19:26,239
Now listen very carefully to what I'm

1528
01:19:26,239 --> 01:19:27,600
going to say because I mean every word

1529
01:19:27,600 --> 01:19:30,239
of it. If you leave me now and go to New

1530
01:19:30,239 --> 01:19:34,199
York, don't come back to me.

1531
01:19:34,560 --> 01:19:37,120
God,

1532
01:19:37,120 --> 01:19:38,800
>> you can't possibly mean that.

1533
01:19:38,800 --> 01:19:40,400
>> Yes, I mean it.

1534
01:19:40,400 --> 01:19:43,520
I don't want you to go to New York.

1535
01:19:43,520 --> 01:19:46,159
>> Oh, darling, of course I won't go if you

1536
01:19:46,159 --> 01:19:49,440
don't want me to.

1537
01:19:49,440 --> 01:19:51,760
It's just that I'm I'm a working girl

1538
01:19:51,760 --> 01:19:56,760
and I've got my future to think of.

1539
01:20:01,040 --> 01:20:02,239
What you've been looking for all your

1540
01:20:02,239 --> 01:20:04,480
life, you found.

1541
01:20:04,480 --> 01:20:05,600
You've been looking for love and

1542
01:20:05,600 --> 01:20:08,719
understanding. You told me

1543
01:20:08,719 --> 01:20:14,040
I understand you and I love you.

1544
01:20:17,360 --> 01:20:21,440
Must I come out and say it?

1545
01:20:21,440 --> 01:20:23,360
You're the most important thing in my

1546
01:20:23,360 --> 01:20:26,360
life.

1547
01:20:26,800 --> 01:20:30,000
Oh, Scott, say that again. Or please say

1548
01:20:30,000 --> 01:20:32,080
that again.

1549
01:20:32,080 --> 01:20:34,800
was what I wanted to hear, what I've

1550
01:20:34,800 --> 01:20:36,960
needed to know.

1551
01:20:36,960 --> 01:20:40,400
Oh, you mean everything to me.

1552
01:20:40,400 --> 01:20:42,560
I have all the excitement I need right

1553
01:20:42,560 --> 01:20:44,480
here with you and nothing else matters

1554
01:20:44,480 --> 01:20:47,199
to me. Nothing.

1555
01:20:47,199 --> 01:20:51,639
I love you, darling. I love you.

1556
01:20:59,520 --> 01:21:02,760
She love

1557
01:21:16,880 --> 01:21:20,239
You must have felt.

1558
01:21:20,239 --> 01:21:23,120
You must know how very much I want to

1559
01:21:23,120 --> 01:21:26,440
marry you.

1560
01:21:26,880 --> 01:21:29,120
How is it you've never asked about

1561
01:21:29,120 --> 01:21:32,640
what's going to happen to us?

1562
01:21:32,640 --> 01:21:36,159
>> Well, a Graham is a trusting animal.

1563
01:21:36,159 --> 01:21:38,960
It makes a fine house pet. It's easily

1564
01:21:38,960 --> 01:21:42,080
trained and likes to play games and

1565
01:21:42,080 --> 01:21:45,440
fetch a stick or a morning paper. And it

1566
01:21:45,440 --> 01:21:48,800
never asks questions.

1567
01:21:48,800 --> 01:21:52,080
>> Does it trust?

1568
01:21:52,080 --> 01:21:55,639
>> Yes, it does.

1569
01:22:37,840 --> 01:22:40,159
Took Toltoy four years to write that. If

1570
01:22:40,159 --> 01:22:41,440
he'd wanted the ending where the

1571
01:22:41,440 --> 01:22:42,639
beginning is, he wouldn't have started

1572
01:22:42,639 --> 01:22:43,440
to write it.

1573
01:22:43,440 --> 01:22:45,520
>> I know it's sacrilegious, but you must

1574
01:22:45,520 --> 01:22:47,440
admit it is rather long. It

1575
01:22:47,440 --> 01:22:49,600
>> is rather, isn't it? The mailman come

1576
01:22:49,600 --> 01:22:49,920
yet?

1577
01:22:49,920 --> 01:22:51,440
>> No, darling, he hasn't.

1578
01:22:51,440 --> 01:22:54,400
>> Here it is. Chapters 1 2 3 4. Ready for

1579
01:22:54,400 --> 01:22:54,960
New York.

1580
01:22:54,960 --> 01:22:57,679
>> Oh, darling, that's wonderful. Remember

1581
01:22:57,679 --> 01:22:59,679
what the little book seller said?

1582
01:22:59,679 --> 01:23:01,040
They'll come back to you, Mr.

1583
01:23:01,040 --> 01:23:01,920
Fitzgerald.

1584
01:23:01,920 --> 01:23:05,480
>> They'll be welcome.

1585
01:23:06,320 --> 01:23:08,159
>> I'll sit right here with Mr. Toltoy,

1586
01:23:08,159 --> 01:23:12,440
darling, until the mailman comes.

1587
01:23:28,400 --> 01:23:31,400
Homer,

1588
01:23:34,159 --> 01:23:36,159
it's very important. See what he gets in

1589
01:23:36,159 --> 01:23:39,559
the first mail.

1590
01:23:50,458 --> 01:23:53,879
[music] Heat. Heat.

1591
01:23:58,972 --> 01:24:00,992
[music]

1592
01:24:06,833 --> 01:24:08,853
[music]

1593
01:24:29,103 --> 01:24:31,123
>> [music]

1594
01:24:35,679 --> 01:24:38,159
>> Sheilo.

1595
01:24:38,159 --> 01:24:41,603
Woohoo. [music]

1596
01:24:45,120 --> 01:24:47,498
Good morning. [music]

1597
01:24:53,338 --> 01:24:55,358
[music]

1598
01:25:15,609 --> 01:25:17,629
>> [music]

1599
01:26:26,960 --> 01:26:30,040
>> Heat. Heat.

1600
01:26:33,760 --> 01:26:36,760
Hallelujah.

1601
01:26:38,795 --> 01:26:42,120
[music] Heat.

1602
01:26:44,690 --> 01:26:46,710
[music]

1603
01:27:00,320 --> 01:27:06,305
And another one for old fits and hats.

1604
01:27:06,305 --> 01:27:08,325
[laughter]

1605
01:27:08,960 --> 01:27:13,560
>> Extremely well expressed.

1606
01:27:15,475 --> 01:27:16,320
[laughter]

1607
01:27:16,320 --> 01:27:17,360
Chip away.

1608
01:27:17,360 --> 01:27:21,719
>> Tank users away down.

1609
01:27:23,920 --> 01:27:26,960
>> I have a present for you. Come on.

1610
01:27:26,960 --> 01:27:31,159
Something very special.

1611
01:27:32,560 --> 01:27:35,679
Try this on, old sport.

1612
01:27:35,679 --> 01:27:39,719
Just climb into this.

1613
01:27:46,960 --> 01:27:50,080
Perfect. Positively

1614
01:27:50,080 --> 01:27:53,519
elegant. [laughter]

1615
01:27:54,560 --> 01:27:56,239
I'll drink to the best dressed man in

1616
01:27:56,239 --> 01:27:59,415
the room. [laughter]

1617
01:27:59,679 --> 01:28:02,800
>> You, sir, Mr. Fitz Simmons are a

1618
01:28:02,800 --> 01:28:05,440
gentleman, and I know a gentleman when I

1619
01:28:05,440 --> 01:28:06,960
see a gentleman.

1620
01:28:06,960 --> 01:28:10,800
>> Me, too. Coming from you, sir, I regard

1621
01:28:10,800 --> 01:28:16,840
that as the supreme compliment.

1622
01:28:20,639 --> 01:28:23,760
>> Did you fellows tell me that you have a

1623
01:28:23,760 --> 01:28:26,719
a housing problem?

1624
01:28:26,719 --> 01:28:29,280
>> Well, it is solved. Fourth with you stay

1625
01:28:29,280 --> 01:28:32,080
here with me and be be my house guest.

1626
01:28:32,080 --> 01:28:35,386
>> House guest. Wonderful.

1627
01:28:35,386 --> 01:28:37,406
[laughter]

1628
01:28:40,320 --> 01:28:43,600
Hello, Sheilo.

1629
01:28:43,600 --> 01:28:48,280
>> Come on in and join us.

1630
01:28:50,400 --> 01:28:52,159
>> Scar,

1631
01:28:52,159 --> 01:28:54,960
what's going on here? Who are these

1632
01:28:54,960 --> 01:28:56,480
people?

1633
01:28:56,480 --> 01:29:01,320
>> Why, she these are my friends.

1634
01:29:01,920 --> 01:29:05,280
This is Mr.

1635
01:29:05,280 --> 01:29:07,040
Mr.

1636
01:29:07,040 --> 01:29:10,679
Smemedley Jones.

1637
01:29:10,756 --> 01:29:12,400
[laughter]

1638
01:29:12,400 --> 01:29:14,239
This is

1639
01:29:14,239 --> 01:29:16,719
Mr.

1640
01:29:16,719 --> 01:29:20,581
Mr. Darby Forsythe.

1641
01:29:20,581 --> 01:29:22,601
[laughter]

1642
01:29:23,520 --> 01:29:25,440
I thought you'd like to meet them,

1643
01:29:25,440 --> 01:29:28,320
Sheilo.

1644
01:29:28,320 --> 01:29:31,061
They're sailors.

1645
01:29:31,061 --> 01:29:33,040
[laughter]

1646
01:29:33,040 --> 01:29:35,440
>> And Zeldman, the lady,

1647
01:29:35,440 --> 01:29:37,840
>> I think you better leave.

1648
01:29:37,840 --> 01:29:40,400
Take the suits and

1649
01:29:40,400 --> 01:29:42,000
ties and books, anything else you've

1650
01:29:42,000 --> 01:29:44,080
he's given you and leave them here.

1651
01:29:44,080 --> 01:29:44,560
>> Have to

1652
01:29:44,560 --> 01:29:45,440
>> immediately, please.

1653
01:29:45,440 --> 01:29:47,679
>> Sheilo,

1654
01:29:47,679 --> 01:29:50,159
I warn you. Don't talk like that to my

1655
01:29:50,159 --> 01:29:51,040
friends.

1656
01:29:51,040 --> 01:29:53,040
>> He gave us his stuff. Ain't that right?

1657
01:29:53,040 --> 01:29:54,639
>> Certainly I did. Certainly. I'm no

1658
01:29:54,639 --> 01:29:55,280
Indian.

1659
01:29:55,280 --> 01:29:56,719
>> Come on. Get them off and get out of

1660
01:29:56,719 --> 01:29:58,480
here. Come on. at once. Otherwise, I'll

1661
01:29:58,480 --> 01:29:59,600
call the police.

1662
01:29:59,600 --> 01:30:02,480
>> Police? Oh, that will not be necessary.

1663
01:30:02,480 --> 01:30:04,719
The young lady wants us to shove off.

1664
01:30:04,719 --> 01:30:07,120
Uh, see you all, pal. If you don't see

1665
01:30:07,120 --> 01:30:08,639
us around the beach, look us up at

1666
01:30:08,639 --> 01:30:09,920
Freddy's bar.

1667
01:30:09,920 --> 01:30:11,600
>> You don't mind, my lady. I'll see my

1668
01:30:11,600 --> 01:30:14,080
friends out. Listen, you fell. You come

1669
01:30:14,080 --> 01:30:17,880
back here anytime.

1670
01:30:18,080 --> 01:30:20,842
>> Bye.

1671
01:30:20,842 --> 01:30:22,862
[laughter]

1672
01:30:56,400 --> 01:30:58,480
Never do that to me again.

1673
01:30:58,480 --> 01:31:00,159
>> Scott.

1674
01:31:00,159 --> 01:31:03,199
Scott. Scott, please. Please.

1675
01:31:03,199 --> 01:31:06,560
>> I'll invite whomever I want. Whenever I

1676
01:31:06,560 --> 01:31:06,880
want.

1677
01:31:06,880 --> 01:31:08,320
>> Scott, have you eaten anything?

1678
01:31:08,320 --> 01:31:11,120
>> No. And stop mothering me and

1679
01:31:11,120 --> 01:31:11,760
smothering.

1680
01:31:11,760 --> 01:31:13,600
>> Scott, if you won't, let me take care of

1681
01:31:13,600 --> 01:31:15,040
you. I'll have to call Dr. HOFF.

1682
01:31:15,040 --> 01:31:16,480
>> CALL HIM. DON'T call him. I don't care.

1683
01:31:16,480 --> 01:31:17,840
I don't need you or anybody else to look

1684
01:31:17,840 --> 01:31:19,120
after me.

1685
01:31:19,120 --> 01:31:20,719
>> Well, in that case, then I'm leaving.

1686
01:31:20,719 --> 01:31:23,520
>> Oh, no you don't. You'll stay right here

1687
01:31:23,520 --> 01:31:26,400
until I say so.

1688
01:31:26,400 --> 01:31:27,280
>> I want to go.

1689
01:31:27,280 --> 01:31:33,080
>> You'll stay right here.

1690
01:31:39,280 --> 01:31:41,920
My darling Phony

1691
01:31:41,920 --> 01:31:43,760
God.

1692
01:31:43,760 --> 01:31:47,560
My phony darling.

1693
01:31:47,679 --> 01:31:52,199
>> My fine lady from the slums.

1694
01:31:52,480 --> 01:31:55,959
>> Sheila G.

1695
01:31:57,360 --> 01:32:00,239
>> You're just playing silly liy.

1696
01:32:00,239 --> 01:32:01,360
>> No, Scott. Stop it.

1697
01:32:01,360 --> 01:32:02,239
>> Liy,

1698
01:32:02,239 --> 01:32:02,880
>> stop it.

1699
01:32:02,880 --> 01:32:05,520
>> Li,

1700
01:32:05,520 --> 01:32:07,679
I HATE YOU. I DON'T LOVE YOU ANYMORE AND

1701
01:32:07,679 --> 01:32:10,159
I DON'T RESPECT YOU ANYMORE.

1702
01:32:10,159 --> 01:32:10,560
>> NO.

1703
01:32:10,560 --> 01:32:12,239
>> WHERE'S MY GUN? [laughter]

1704
01:32:12,239 --> 01:32:14,320
I'M GOING TO KILL YOU. WHERE'S MY GUN?

1705
01:32:14,320 --> 01:32:17,719
>> I DON'T KNOW.

1706
01:32:17,920 --> 01:32:21,400
>> Oh god.

1707
01:32:26,000 --> 01:32:28,400
>> Open the door. Open up.

1708
01:32:28,400 --> 01:32:32,719
>> Operator. Operator. Get me the police.

1709
01:32:32,719 --> 01:32:37,440
This is my address. IT'S 319. OH, SCOTT.

1710
01:32:37,440 --> 01:32:41,320
SCOTT, STOP IT.

1711
01:32:43,440 --> 01:32:46,239
STOP IT, SCOTT. GOD, I CALL THE POLICE

1712
01:32:46,239 --> 01:32:48,639
AND THERE'LL BE A TERRIBLE SCANDAL. STOP

1713
01:32:48,639 --> 01:32:51,639
IT.

1714
01:32:56,400 --> 01:32:58,044
NO.

1715
01:32:58,044 --> 01:33:00,239
[screaming] OH,

1716
01:33:00,239 --> 01:33:06,360
NO. NO. GOD, DON'T. DON'T.

1717
01:33:24,880 --> 01:33:28,159
You were gone. Gone. Just take it.

1718
01:33:28,159 --> 01:33:31,440
SHOOT. GO ON. DO IT.

1719
01:33:31,440 --> 01:33:34,560
I don't care what happens to you. You're

1720
01:33:34,560 --> 01:33:36,080
not worth saving. YOU'RE NOT WORTH

1721
01:33:36,080 --> 01:33:39,120
ANYTHING. I didn't drag MYSELF OUT OF

1722
01:33:39,120 --> 01:33:41,120
THE GUTTER TO WASTE MYSELF on a

1723
01:33:41,120 --> 01:33:44,320
worthless junk like you. Worthless.

1724
01:33:44,320 --> 01:33:49,880
Worthless. I hate you. I hate you.

1725
01:34:30,639 --> 01:34:33,120
How's he doctor? He's quiet for the

1726
01:34:33,120 --> 01:34:35,520
moment. I gave him an injection. Three

1727
01:34:35,520 --> 01:34:37,120
cc's of medication.

1728
01:34:37,120 --> 01:34:37,920
>> Cup of coffee.

1729
01:34:37,920 --> 01:34:39,040
>> Thanks.

1730
01:34:39,040 --> 01:34:42,280
>> No thanks.

1731
01:34:43,600 --> 01:34:44,960
>> How serious is this?

1732
01:34:44,960 --> 01:34:47,960
>> Doctor.

1733
01:34:48,639 --> 01:34:51,639
Doctor.

1734
01:34:53,360 --> 01:34:56,360
>> Doctor.

1735
01:34:56,560 --> 01:34:59,520
Doctor, will you do something?

1736
01:34:59,520 --> 01:35:03,760
>> Try to be calm. But my arms are numb.

1737
01:35:03,760 --> 01:35:05,280
>> Just give the medication a chance to

1738
01:35:05,280 --> 01:35:06,159
work. It'll ease.

1739
01:35:06,159 --> 01:35:08,560
>> How long will I be like this?

1740
01:35:08,560 --> 01:35:11,040
>> That all depends. Might never happen

1741
01:35:11,040 --> 01:35:13,520
again. On the other hand, if you

1742
01:35:13,520 --> 01:35:15,440
continue to drink, your heart can take

1743
01:35:15,440 --> 01:35:18,400
just so much and you might be paralyzed

1744
01:35:18,400 --> 01:35:19,360
for life.

1745
01:35:19,360 --> 01:35:21,600
>> Yeah, then I'd blow my brains out.

1746
01:35:21,600 --> 01:35:24,000
>> Who'd hold a gun?

1747
01:35:24,000 --> 01:35:28,040
>> Might not even need a gun.

1748
01:35:28,400 --> 01:35:29,760
The good Lord tapped you on the

1749
01:35:29,760 --> 01:35:32,080
shoulder, Scott. Let it be a warning to

1750
01:35:32,080 --> 01:35:34,800
you. I'll drop by in the morning.

1751
01:35:34,800 --> 01:35:36,239
>> Thanks, doctor. Good night, Bob.

1752
01:35:36,239 --> 01:35:40,159
>> Good night, doctor. You know he's right.

1753
01:35:40,159 --> 01:35:44,199
You can't go on like this.

1754
01:35:44,239 --> 01:35:46,880
Then they're going to make things worse.

1755
01:35:46,880 --> 01:35:50,199
Yeah, I know.

1756
01:35:50,400 --> 01:35:52,480
Oh, God.

1757
01:35:52,480 --> 01:35:55,959
Don't I know?

1758
01:35:57,600 --> 01:36:01,639
And I'd like to get out of it.

1759
01:36:02,239 --> 01:36:04,719
But how?

1760
01:36:04,719 --> 01:36:07,719
Where?

1761
01:36:09,520 --> 01:36:12,840
I'm finished.

1762
01:36:13,040 --> 01:36:14,880
Well,

1763
01:36:14,880 --> 01:36:18,080
Emerson said it pretty well.

1764
01:36:18,080 --> 01:36:20,639
On the debris of our despair, we build

1765
01:36:20,639 --> 01:36:23,840
our character.

1766
01:36:23,840 --> 01:36:26,320
So, the Kers and Post turned down your

1767
01:36:26,320 --> 01:36:28,639
book, but not really. Just the first

1768
01:36:28,639 --> 01:36:31,120
couple of chapters.

1769
01:36:31,120 --> 01:36:32,560
Maybe they didn't grasp what you're

1770
01:36:32,560 --> 01:36:34,880
after.

1771
01:36:34,880 --> 01:36:37,520
All right, finish it.

1772
01:36:37,520 --> 01:36:41,960
Prove to him you still have it.

1773
01:37:12,000 --> 01:37:14,480
Yes. Hello,

1774
01:37:14,480 --> 01:37:17,879
>> this is Scott.

1775
01:38:02,080 --> 01:38:04,960
Sheila. Sheila,

1776
01:38:04,960 --> 01:38:08,840
please talk to me.

1777
01:38:20,960 --> 01:38:24,159
And then for the last two days, he's

1778
01:38:24,159 --> 01:38:26,560
been bombarding me with letters and

1779
01:38:26,560 --> 01:38:29,199
telephone calls at at 2 and 3 in the

1780
01:38:29,199 --> 01:38:30,960
morning.

1781
01:38:30,960 --> 01:38:33,520
He sent a telegram to John Wheeler

1782
01:38:33,520 --> 01:38:35,040
urging him to have me sent back to

1783
01:38:35,040 --> 01:38:35,600
England.

1784
01:38:35,600 --> 01:38:36,400
>> Why?

1785
01:38:36,400 --> 01:38:38,320
>> And he if John refused, he threatened to

1786
01:38:38,320 --> 01:38:39,920
have me deported by the Department of

1787
01:38:39,920 --> 01:38:40,639
Immigration.

1788
01:38:40,639 --> 01:38:42,560
>> Oh, that's just the nature of the beast.

1789
01:38:42,560 --> 01:38:47,040
>> I am finished. But really, I have had

1790
01:38:47,040 --> 01:38:49,600
Mr. Fitzgerald and his charm and his

1791
01:38:49,600 --> 01:38:51,679
liquor and his genius. I have had it,

1792
01:38:51,679 --> 01:38:52,880
but up to here.

1793
01:38:52,880 --> 01:38:53,440
>> You sure?

1794
01:38:53,440 --> 01:38:55,600
>> Yes, I'm positive. You don't know what

1795
01:38:55,600 --> 01:38:58,719
it's been like. I can't work. I can't

1796
01:38:58,719 --> 01:39:01,600
sleep. Why don't you get a lawyer?

1797
01:39:01,600 --> 01:39:04,400
>> Yeah, take him into court.

1798
01:39:04,400 --> 01:39:06,960
No, hire a couple of detectives. They'll

1799
01:39:06,960 --> 01:39:08,960
pay a call on Mr. F and promise to throw

1800
01:39:08,960 --> 01:39:10,719
him in the clink if uh he doesn't stop

1801
01:39:10,719 --> 01:39:11,520
annoying you.

1802
01:39:11,520 --> 01:39:12,639
>> Could I do that?

1803
01:39:12,639 --> 01:39:14,560
>> For 100 bucks. I got to get my

1804
01:39:14,560 --> 01:39:15,920
sunglasses. Well,

1805
01:39:15,920 --> 01:39:18,880
>> I'll do anything

1806
01:39:18,880 --> 01:39:22,080
to stop those telephone calls. I'll do

1807
01:39:22,080 --> 01:39:22,719
anything.

1808
01:39:22,719 --> 01:39:25,199
>> I'll stop him. All right. A visit from

1809
01:39:25,199 --> 01:39:27,679
the Jearmms just before dawn can be a

1810
01:39:27,679 --> 01:39:30,320
nice little persuader. They'll start by

1811
01:39:30,320 --> 01:39:32,400
pounding on his door about 5:00 a.m.

1812
01:39:32,400 --> 01:39:34,719
>> Oh, but they can't do that.

1813
01:39:34,719 --> 01:39:36,000
>> They can't do what?

1814
01:39:36,000 --> 01:39:37,679
>> Pound on his door at that hour in the

1815
01:39:37,679 --> 01:39:39,520
morning. He'd just be falling asleep and

1816
01:39:39,520 --> 01:39:43,400
he sleeps so badly.

1817
01:39:45,840 --> 01:39:49,800
>> Look, wouldn't you like a drink?

1818
01:40:05,764 --> 01:40:07,784
>> [music]

1819
01:42:54,101 --> 01:42:56,121
[music]

1820
01:43:14,000 --> 01:43:16,480
>> The next best thing to see you was to

1821
01:43:16,480 --> 01:43:18,080
spend the afternoon here in the

1822
01:43:18,080 --> 01:43:19,840
surroundings which have brought me so

1823
01:43:19,840 --> 01:43:22,320
much happiness. I loved you with

1824
01:43:22,320 --> 01:43:24,560
everything I had, but something was

1825
01:43:24,560 --> 01:43:26,880
terribly wrong.

1826
01:43:26,880 --> 01:43:28,880
We were doomed, I'm afraid, from the

1827
01:43:28,880 --> 01:43:30,719
start.

1828
01:43:30,719 --> 01:43:33,199
I said and did awful things, but what I

1829
01:43:33,199 --> 01:43:36,239
cannot bear is the thought that you

1830
01:43:36,239 --> 01:43:40,000
trusted me and I betrayed you. I cannot

1831
01:43:40,000 --> 01:43:41,760
bear the thought that I gave grief to

1832
01:43:41,760 --> 01:43:45,600
you when I wanted to give joy.

1833
01:43:45,600 --> 01:43:48,719
I'm glad you're rid of me. I hope you're

1834
01:43:48,719 --> 01:43:52,159
happy and that the last impression will

1835
01:43:52,159 --> 01:43:55,360
fade a little with time.

1836
01:43:55,360 --> 01:43:57,679
Goodbye, Sheilo.

1837
01:43:57,679 --> 01:44:00,679
Heat. Heat.

1838
01:44:18,596 --> 01:44:20,616
[music]

1839
01:44:34,972 --> 01:44:36,992
>> [music]

1840
01:45:41,440 --> 01:45:44,440
>> She

1841
01:45:46,400 --> 01:45:49,400
know

1842
01:45:51,600 --> 01:45:53,840
she

1843
01:46:04,239 --> 01:46:07,239
Yes.

1844
01:46:09,199 --> 01:46:12,360
>> Thank you.

1845
01:46:14,320 --> 01:46:19,320
I must see you.

1846
01:46:28,400 --> 01:46:31,400
I

1847
01:46:32,320 --> 01:46:37,400
I I won't talk to you, too.

1848
01:46:42,080 --> 01:46:44,960
I'll pick you up, darling.

1849
01:46:44,960 --> 01:46:50,360
We'll drive somewhere where we can talk.

1850
01:47:05,440 --> 01:47:08,400
I'm through with the drinking and

1851
01:47:08,400 --> 01:47:12,080
I'm I'm finished with it for good.

1852
01:47:12,080 --> 01:47:14,800
The escape is much more horrible than

1853
01:47:14,800 --> 01:47:17,960
the reality.

1854
01:47:20,719 --> 01:47:22,960
I know you

1855
01:47:22,960 --> 01:47:26,960
I know you mean what you say now, but

1856
01:47:26,960 --> 01:47:30,080
how long will it last?

1857
01:47:30,080 --> 01:47:32,639
How do I

1858
01:47:32,639 --> 01:47:35,440
I've never promised before.

1859
01:47:35,440 --> 01:47:38,639
Not to you and not even to myself.

1860
01:47:38,639 --> 01:47:42,679
I'm through drinking. Sheilo,

1861
01:47:45,760 --> 01:47:48,239
I've started writing again on The Last

1862
01:47:48,239 --> 01:47:51,239
Tycoon.

1863
01:47:53,040 --> 01:47:54,159
It's going to be the best thing that

1864
01:47:54,159 --> 01:47:56,639
I've ever done.

1865
01:47:56,639 --> 01:48:00,119
Thanks to you.

1866
01:48:03,040 --> 01:48:05,600
I love you, Scott.

1867
01:48:05,600 --> 01:48:09,800
I love you as you are now.

1868
01:48:10,320 --> 01:48:13,840
But that other Scott, I

1869
01:48:13,840 --> 01:48:17,040
well, it was a nightmare. I I couldn't

1870
01:48:17,040 --> 01:48:20,719
stand that again. I I really couldn't.

1871
01:48:20,719 --> 01:48:24,000
>> Even if you don't take me back

1872
01:48:24,000 --> 01:48:28,360
and I want you very very much

1873
01:48:28,800 --> 01:48:30,639
and through

1874
01:48:30,639 --> 01:48:35,400
drinking through through

1875
01:48:36,320 --> 01:48:38,159
>> But how

1876
01:48:38,159 --> 01:48:40,159
How can I be sure? How can I believe?

1877
01:48:40,159 --> 01:48:42,000
How can I know?

1878
01:48:42,000 --> 01:48:47,360
>> Test me. Don't just take my word for it.

1879
01:48:47,360 --> 01:48:50,759
>> Test me.

1880
01:49:08,800 --> 01:49:11,800
Hey,

1881
01:49:13,040 --> 01:49:16,880
you have been at it all day.

1882
01:49:16,880 --> 01:49:19,760
>> You must stop now.

1883
01:49:19,760 --> 01:49:23,280
>> Yes, I will. It's It's a It's a very

1884
01:49:23,280 --> 01:49:26,080
special chapter. It's very special.

1885
01:49:26,080 --> 01:49:28,480
Rather personal. It's

1886
01:49:28,480 --> 01:49:30,080
Well, it's about us. It's about you and

1887
01:49:30,080 --> 01:49:31,920
me.

1888
01:49:31,920 --> 01:49:34,719
It's about us.

1889
01:49:34,719 --> 01:49:36,800
>> Oh, darling.

1890
01:49:36,800 --> 01:49:38,800
Oh, read it to me. Well,

1891
01:49:38,800 --> 01:49:41,440
>> I'd like to I can find the place where

1892
01:49:41,440 --> 01:49:45,280
you and I first meet.

1893
01:49:45,280 --> 01:49:47,360
Yes, there it is.

1894
01:49:47,360 --> 01:49:50,239
I've christened you, Kathleen, and I'm

1895
01:49:50,239 --> 01:49:52,880
called Monroe Star.

1896
01:49:52,880 --> 01:49:55,520
Yes, here it is. Star and Kathleen

1897
01:49:55,520 --> 01:49:57,440
danced.

1898
01:49:57,440 --> 01:49:59,600
When she came close,

1899
01:49:59,600 --> 01:50:02,560
his several visions blurred.

1900
01:50:02,560 --> 01:50:05,840
She was momentarily unreal.

1901
01:50:05,840 --> 01:50:07,600
Stark continued to be dazzled as they

1902
01:50:07,600 --> 01:50:10,480
danced out along the floor.

1903
01:50:10,480 --> 01:50:13,199
She was deep in it with him, no matter

1904
01:50:13,199 --> 01:50:16,239
what the words were. Her eyes invited

1905
01:50:16,239 --> 01:50:18,320
him to a romantic communion of

1906
01:50:18,320 --> 01:50:22,199
unbelievable intensity.

1907
01:50:22,880 --> 01:50:25,679
As if she realized this, she said,

1908
01:50:25,679 --> 01:50:27,520
frightened.

1909
01:50:27,520 --> 01:50:30,159
I must go back.

1910
01:50:30,159 --> 01:50:32,880
Star held her close.

1911
01:50:32,880 --> 01:50:35,920
I don't want to lose you.

1912
01:50:35,920 --> 01:50:39,639
Couldn't we have dinner?

1913
01:50:39,840 --> 01:50:41,840
She dropped her arms and looked at him,

1914
01:50:41,840 --> 01:50:44,159
a laughing wanton.

1915
01:50:44,159 --> 01:50:45,679
"When I'm with you, I don't breathe

1916
01:50:45,679 --> 01:50:48,239
quite right," she said.

1917
01:50:48,239 --> 01:50:51,440
She picked up her long dress and turned.

1918
01:50:51,440 --> 01:50:54,639
Thank you for the dance, she said. And

1919
01:50:54,639 --> 01:50:58,800
now really, good night.

1920
01:50:58,800 --> 01:51:02,679
Then she nearly ran.

1921
01:51:05,600 --> 01:51:09,639
It is us, isn't it?

1922
01:51:10,880 --> 01:51:15,480
I never realized that you would

1923
01:51:18,880 --> 01:51:21,280
read me some more.

1924
01:51:21,280 --> 01:51:22,719
Well, there is another part I'd like to

1925
01:51:22,719 --> 01:51:25,520
read to you, but I have to polish it

1926
01:51:25,520 --> 01:51:28,080
first. It's tomorrow night. It's the

1927
01:51:28,080 --> 01:51:31,040
part where Kathleen is being educated by

1928
01:51:31,040 --> 01:51:33,920
Star. He's given her a schedule of books

1929
01:51:33,920 --> 01:51:36,000
to be read.

1930
01:51:36,000 --> 01:51:37,679
Sounds slightly familiar, doesn't it?

1931
01:51:37,679 --> 01:51:40,400
>> Yes, slightly.

1932
01:51:40,400 --> 01:51:42,639
Well, am I am I that wonderful all the

1933
01:51:42,639 --> 01:51:44,320
way through?

1934
01:51:44,320 --> 01:51:45,840
Haven't you written about the times when

1935
01:51:45,840 --> 01:51:51,080
I'm so stupid and foolish and silly?

1936
01:51:58,000 --> 01:51:59,840
How do we celebrate tonight? What do you

1937
01:51:59,840 --> 01:52:00,719
say we go out?

1938
01:52:00,719 --> 01:52:02,400
>> Would you like to?

1939
01:52:02,400 --> 01:52:05,040
>> Oh, you know what? I've had an

1940
01:52:05,040 --> 01:52:06,560
invitation to a private showing at the

1941
01:52:06,560 --> 01:52:09,119
Fox Studio. Oh, no. It's nothing big,

1942
01:52:09,119 --> 01:52:10,960
just very informal. Some of the industry

1943
01:52:10,960 --> 01:52:12,320
and a few of the press. I think it might

1944
01:52:12,320 --> 01:52:14,000
be fun. It's a comedy.

1945
01:52:14,000 --> 01:52:15,440
>> Well, [snorts] a comedy sounds good. Is

1946
01:52:15,440 --> 01:52:16,960
it a funny comedy?

1947
01:52:16,960 --> 01:52:21,080
Well, it's said to be hilarious.

1948
01:52:21,337 --> 01:52:22,719
[singing]

1949
01:52:22,719 --> 01:52:25,679
>> Night is

1950
01:52:25,679 --> 01:52:27,360
the moon.

1951
01:52:27,360 --> 01:52:33,280
>> Soon I'll [singing] dream. And when I

1952
01:52:33,280 --> 01:52:34,800
be the blue,

1953
01:52:34,800 --> 01:52:36,719
>> I'll dream my way

1954
01:52:36,719 --> 01:52:39,040
>> into your [music and singing] arms

1955
01:52:39,040 --> 01:52:41,840
again. all

1956
01:52:41,840 --> 01:52:44,840
night

1957
01:52:45,040 --> 01:52:46,883
until

1958
01:52:46,883 --> 01:52:48,903
[singing]

1959
01:52:50,320 --> 01:52:52,123
there

1960
01:52:52,123 --> 01:52:54,143
[music and singing]

1961
01:52:59,328 --> 01:53:01,348
[music]

1962
01:53:14,000 --> 01:53:17,239
Oh, yeah.

1963
01:53:28,480 --> 01:53:30,719
>> Scott, what's the matter?

1964
01:53:30,719 --> 01:53:32,800
>> I feel awful. Awful.

1965
01:53:32,800 --> 01:53:36,000
>> Darling, stay here for a minute.

1966
01:53:36,000 --> 01:53:37,360
>> People might think I'm drunk again.

1967
01:53:37,360 --> 01:53:42,119
>> No, darling. Nobody saw. on me.

1968
01:53:46,320 --> 01:53:47,199
>> Let me call the doctor.

1969
01:53:47,199 --> 01:53:49,119
>> Hello, Sheila. Scott, I haven't seen you

1970
01:53:49,119 --> 01:53:50,480
around. Where have you been?

1971
01:53:50,480 --> 01:53:52,400
>> Uh, well, he's been down at Malibu. He's

1972
01:53:52,400 --> 01:53:53,840
working on the most exciting novel.

1973
01:53:53,840 --> 01:53:55,040
>> Oh, wonderful. If there's a picture,

1974
01:53:55,040 --> 01:53:58,000
it'll be sure and let me read it.

1975
01:53:58,000 --> 01:54:00,080
>> Scott, let me call Dr. Hoffman.

1976
01:54:00,080 --> 01:54:02,719
>> Talk big conversation.

1977
01:54:02,719 --> 01:54:03,040
>> Scott.

1978
01:54:03,040 --> 01:54:03,679
>> Hello, Scott.

1979
01:54:03,679 --> 01:54:04,320
>> How are you?

1980
01:54:04,320 --> 01:54:06,560
>> Hello,

1981
01:54:06,560 --> 01:54:09,760
Scott. Don't do it.

1982
01:54:09,760 --> 01:54:13,199
>> Uh, but Bob Carter had a funny row with

1983
01:54:13,199 --> 01:54:15,520
the police last night. They uh they

1984
01:54:15,520 --> 01:54:17,119
stopped him outside of Chason's

1985
01:54:17,119 --> 01:54:20,320
restaurant making a U-turn. Um, hello.

1986
01:54:20,320 --> 01:54:22,239
And they asked his name and he said

1987
01:54:22,239 --> 01:54:24,480
Peter Rabbit. And then they asked where

1988
01:54:24,480 --> 01:54:26,560
he lived and he said in a lettuce patch.

1989
01:54:26,560 --> 01:54:28,719
And he was so he was very indignant. He

1990
01:54:28,719 --> 01:54:30,000
had to spend the rest of the night in a

1991
01:54:30,000 --> 01:54:33,239
police station.

1992
01:54:41,679 --> 01:54:44,159
Oh, Scott, please let me go and call Dr.

1993
01:54:44,159 --> 01:54:47,159
Huffman.

1994
01:54:48,880 --> 01:54:52,920
>> Going to see him tomorrow anyway.

1995
01:54:54,239 --> 01:54:58,440
>> Darling, let me drive.

1996
01:54:58,880 --> 01:55:02,199
Thank you.

1997
01:55:07,760 --> 01:55:10,960
Germany, Italy, and Japan have signed a

1998
01:55:10,960 --> 01:55:14,760
mutual aid pact.

1999
01:55:14,880 --> 01:55:16,159
Well, that means we're going to be in

2000
01:55:16,159 --> 01:55:20,679
the war sooner or later.

2001
01:55:21,199 --> 01:55:23,679
I'd like to go to Europe,

2002
01:55:23,679 --> 01:55:26,320
get a job as a war correspondent.

2003
01:55:26,320 --> 01:55:28,800
>> Oh, you coward. You don't even think

2004
01:55:28,800 --> 01:55:30,320
you're going to get away from me by

2005
01:55:30,320 --> 01:55:32,480
going to cover a war. I'm going with

2006
01:55:32,480 --> 01:55:34,960
you.

2007
01:55:34,960 --> 01:55:37,599
>> We go lots of places together when

2008
01:55:37,599 --> 01:55:40,480
things get back to normal.

2009
01:55:40,480 --> 01:55:43,360
I'd take you anywhere you'd like to go.

2010
01:55:43,360 --> 01:55:46,080
>> I'd love that, Dy. I'd love to go to

2011
01:55:46,080 --> 01:55:48,880
Europe with you. I'd see everything for

2012
01:55:48,880 --> 01:55:51,040
the first time.

2013
01:55:51,040 --> 01:55:52,639
I didn't really see anything anyway

2014
01:55:52,639 --> 01:55:56,599
until you opened my eyes.

2015
01:56:06,880 --> 01:56:09,920
Well, six chapters nearly finished.

2016
01:56:09,920 --> 01:56:12,400
Everything goes well, the book will be

2017
01:56:12,400 --> 01:56:16,598
on the stands by early spring.

2018
01:56:25,679 --> 01:56:27,920
It's going to be a hit.

2019
01:56:27,920 --> 01:56:30,000
>> It's going to be a great hit and you

2020
01:56:30,000 --> 01:56:32,560
know it. You just had to set your mind

2021
01:56:32,560 --> 01:56:34,639
to it and stay with it. That's all you

2022
01:56:34,639 --> 01:56:35,440
needed.

2023
01:56:35,440 --> 01:56:37,520
>> What I needed was a letter from the

2024
01:56:37,520 --> 01:56:39,199
publisher saying that the book had been

2025
01:56:39,199 --> 01:56:41,760
accepted and the big check that came in

2026
01:56:41,760 --> 01:56:44,320
the envelope with it. I'm one of those

2027
01:56:44,320 --> 01:56:46,320
peculiar birds who thrives on success.

2028
01:56:46,320 --> 01:56:49,199
Some people need to be shaken up by

2029
01:56:49,199 --> 01:56:50,880
failure now and then to be at their

2030
01:56:50,880 --> 01:56:52,639
best.

2031
01:56:52,639 --> 01:56:55,679
Not me.

2032
01:56:55,679 --> 01:56:58,800
I've got some ideas for the next book,

2033
01:56:58,800 --> 01:57:01,119
and it's a book that could be written

2034
01:57:01,119 --> 01:57:02,960
anywhere.

2035
01:57:02,960 --> 01:57:06,080
What would you say, for instance, to

2036
01:57:06,080 --> 01:57:08,480
Italy when things clear up over there?

2037
01:57:08,480 --> 01:57:10,960
>> Oh, heavenly.

2038
01:57:10,960 --> 01:57:14,440
I'd love it.

2039
01:57:17,679 --> 01:57:22,040
>> I owe you so much, Sheila.

2040
01:57:25,920 --> 01:57:28,960
I'll make it up to you. I'll make it all

2041
01:57:28,960 --> 01:57:32,280
up to you.

2042
01:57:55,040 --> 01:57:57,679
Darling,

2043
01:57:57,679 --> 01:58:01,760
what do you say? We make a rule

2044
01:58:01,760 --> 01:58:05,080
every time.

2045
01:58:28,719 --> 01:58:32,080
Hello, Dr. Hoffman, please.

2046
01:58:32,080 --> 01:58:34,639
Oh, well, well, can you find him,

2047
01:58:34,639 --> 01:58:38,239
please, quickly? Mr. Fitzgerald has has

2048
01:58:38,239 --> 01:58:40,400
fainted. Please ask him to come up here

2049
01:58:40,400 --> 01:58:45,559
as quickly as possible. Yes, thank you

2050
01:58:47,440 --> 01:58:50,400
Scott.

2051
01:58:50,400 --> 01:58:52,800
Oh.

2052
01:58:52,800 --> 01:58:54,719
Oh no.

2053
01:58:54,719 --> 01:58:57,679
Help me. [laughter] Someone

2054
01:58:57,679 --> 01:58:59,760
help me.

2055
01:58:59,760 --> 01:59:04,880
Oh, help. Help me. Someone help me.

2056
01:59:04,880 --> 01:59:07,599
Help.

2057
01:59:07,599 --> 01:59:10,000
Oh,

2058
01:59:10,000 --> 01:59:14,960
please help me. Oh. Oh, please help me.

2059
01:59:14,960 --> 01:59:17,199
Please

2060
01:59:17,199 --> 01:59:22,000
dare. Help me. It's God. It's God. Help

2061
01:59:22,000 --> 01:59:25,000
me.

2062
01:59:32,239 --> 01:59:35,239
Extension

2063
01:59:41,679 --> 01:59:43,679
118. The coroner.

2064
01:59:43,679 --> 01:59:45,199
>> Ask the radio call.

2065
01:59:45,199 --> 01:59:47,679
>> Give me extension 115.

2066
01:59:47,679 --> 01:59:51,520
>> The coroner. The coroner.

2067
01:59:51,520 --> 01:59:55,320
>> No, I want the coroner.

2068
01:59:56,880 --> 01:59:59,599
He's dead.

2069
01:59:59,599 --> 02:00:02,599
Heat. Heat.

2070
02:00:10,323 --> 02:00:12,343
[music]

2071
02:01:12,719 --> 02:01:15,719
She

2072
02:01:15,920 --> 02:01:18,000
I love you.

2073
02:01:18,000 --> 02:01:20,080
I love you very much.

2074
02:01:20,080 --> 02:01:23,280
I love you as you are.

2075
02:01:23,280 --> 02:01:26,679
As you are.

2076
02:01:41,679 --> 02:01:45,000
And I

2077
02:01:50,159 --> 02:01:52,639
breathless moment [music]

2078
02:01:52,639 --> 02:01:55,599
when love has it

2079
02:01:55,599 --> 02:02:00,364
in the sound of the surf on the shore.

2080
02:02:00,364 --> 02:02:02,384
[singing]

2081
02:02:05,920 --> 02:02:10,844
I see your face when I look at the star

2082
02:02:10,844 --> 02:02:12,864
[singing]

2083
02:02:14,000 --> 02:02:16,880
and I [music] embrace

2084
02:02:16,880 --> 02:02:21,480
all the things that [singing] you are.

2085
02:02:22,239 --> 02:02:25,280
My love for you

2086
02:02:25,280 --> 02:02:28,759
can never

2087
02:02:31,149 --> 02:02:31,840
[singing]

2088
02:02:31,840 --> 02:02:34,424
belove. Amen.

2089
02:02:34,424 --> 02:02:35,840
[music]

2090
02:02:35,840 --> 02:02:39,239
We love